Open Access (free)
Janelle Joseph

histories and crucibles of diasporic trajectories “where Europe is not at ‘the center’ – which retain a critical bearing on understanding contemporary diasporic formations and their inter-relationships.” Thus, it is necessary to deploy “diaspora space,” which is a concept introduced by Avtar Brah ( 1996 ) to explore the lateral connections between diasporas – the ways “in which

in Sport in the Black Atlantic
Open Access (free)
Digital photography and cartography in Wolfgang Weileder’s Atlas
Rachel Wells

5 ‘Space-crossed time’: digital photography and cartography in Wolfgang Weileder’s Atlas1 Rachel Wells The places we have known do not belong only to the world of space on which we map them for our own convenience. They were only a thin slice, held between the contiguous impressions that composed our life at that time; the memory of a particular image is but regret for a particular moment; and houses, roads, avenues are as ­fugitive, alas, as the years. (Proust, 2002: 513) The creation of an ‘Atlas’ is an ambitious project. The word suggests accuracy in detail

in Time for mapping
Jane Brooks

2 Challenging nursing spaces In June 1944, Sister Agnes Morgan wrote to her mother from a CCS near Rome: We are frightfully short staffed as a lot of the girls are working at forward F.D.S.s (field dressing stations) and we work like a C.C.S. except that we still think of ourselves as a Hospital and strive to do the ‘little extra’ that makes a difference between a C.C.S. and a Hospital! It is all impossible and rather hopeless, as the tide of human misery and suffering streams in too fast for us to do more than the bare necessities ... under canvas and all the

in Negotiating nursing
Duncan Sayer

This chapter describes the physical organisation of early Anglo-Saxon cemetery space by detailing the repertoire of shared semiotics used to organise a cemetery, specifically: cemetery topography, clusters of graves or burial plots, grave density, grave orientation, burial rituals and material culture. It also considers cemeteries which combine multiple organisational strategies. Introduction: structuring mortuary semiotics Cemeteries are not simply places where people bury the dead; they are the product of social agents working within the confines of

in Early Anglo-Saxon cemeteries
Open Access (free)
Writing home in recent Irish memoirs and autobiographies (John McGahern’s Memoir, Hugo Hamilton’s The Speckled People, Seamus Deane’s Reading in the Dark and John Walsh’s The Falling Angels)
Stephen Regan

9780719075636_4_013.qxd 16/2/09 9:29 AM Page 232 13 ‘Sacred spaces’: writing home in recent Irish memoirs and autobiographies (John McGahern’s Memoir, Hugo Hamilton’s The Speckled People, Seamus Deane’s Reading in the Dark and John Walsh’s The Falling Angels) Stephen Regan One of the familiar conventions of autobiography is its revelation of an individual life through a compelling first-person narrative voice. To work upon its readers most effectively, autobiography needs to present the life in question as both unique and typical; it must offer an appealing

in Irish literature since 1990
Working memories

Street theatre and the production of postindustrial space explores how street theatre transforms industrial space into postindustrial space. Deindustrializing communities have increasingly turned to cultural projects to commemorate industrial heritage while simultaneously generating surplus value and jobs in a changing economy. Through analysis of French street theatre companies working out of converted industrial sites, this book reveals how theatre and performance more generally participate in and make historical sense of ongoing urban and economic change. The book argues, firstly, that deindustrialization and redevelopment rely on the spatial and temporal logics of theatre and performance. Redevelopment requires theatrical events and performative acts that revise, resituate, and re-embody particular pasts. The book proposes working memory as a central metaphor for these processes. The book argues, secondly, that in contemporary France street theatre has emerged as working memory's privileged artistic form. If the transition from industrial to postindustrial space relies on theatrical logics, those logics will manifest differently depending on geographic context. The book links the proliferation of street theatre in France since the 1970s to the crisis in Fordist-Taylorist modernity. How have street theatre companies converted spaces of manufacturing into spaces of theatrical production? How do these companies (with municipal governments and developers) connect their work to the work that occurred in these spaces in the past? How do those connections manifest in theatrical events, and how do such events give shape and meaning to redevelopment? Street theatre’s function is both economic and historiographic. It makes the past intelligible as past and useful to the present.

Edward Bacal

I focus on two contemporary art installations in which Teresa Margolles employs water used to wash corpses during autopsies. By running this water through a fog machine or through air conditioners, these works incorporate bodily matter but refuse to depict, identify or locate anybody (or any body) within it. Rather, Margolles creates abstract works in which physical limits – whether of bodies or of art works – dissolve into a state of indeterminacy. With that pervasive distribution of corporeal matter, Margolles charts the dissolution of the social, political and spatial borders that contain death from the public sphere. In discussing these works, I consider Margolles’ practice in relation to the social and aesthetic function of the morgue. Specifically, I consider how Margolles turns the morgue inside out, opening it upon the city in order to explore the inoperative distinctions between spaces of sociality and those of death. In turn, I consider how Margolles places viewers in uneasy proximity to mortality, bodily abjection and violence in order to illustrate the social, political and aesthetic conditions by which bodies become unidentifiable. I ultimately argue that her aesthetic strategies match her ethical aspirations to reconsider relations to death, violence and loss within the social realm.

Human Remains and Violence: An Interdisciplinary Journal
Simon Mabon

9 1 The politics of sovereignty and space1 Politics, for the Arab philosopher Khaldun, concerns ‘the administration of home or city in accordance with ethical and philosophical requirements, for the purpose of directing the mass toward a behaviour that will result in the preservation and permanence of the (human) species’.2 This quest for survival, at the heart of Khaldun’s understanding of politics, raises a number of fundamental questions about space, law, security and ultimately survival, which remain pertinent today. The questions emerging from Khaldun

in Houses built on sand
Robert Andersen
Jocelyn A. J. Evans

11 Contemporary developments in political space in France Robert Andersen and Jocelyn A. J. Evans System context Contemporary developments in political space Introduction The emphasis of the book thus far has been on individual parties and coalitions. Nonetheless, the demand side of the equation also provides an important context to party success because it helps define the political space in which parties must compete for voters. In this chapter, then, we focus on French political space over the last fifteen years as defined by the socio-demographic and

in The French party system
Duncan Sayer

stories were consigned to be recounted in the construction of community identities. The landscape acted as a meeting place for the living and their dead, making safe the bodies of relatives and associates, rooting community and memory into physical space. Cemeteries were not simply mortuary landscapes, they were pluralistic spaces used by the living who constructed them and who created experiences which situated cemeteries, performance and funerals within the spheres of personal and communal life. Funerary narratives can be shared or internalised and may be supported

in Early Anglo-Saxon cemeteries