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Invisibility and erasure in The Two Merry Milkmaids
Chloe Porter

), Prospero and his spirit Ariel both appear ‘invisible’ to the other characters marooned on Prospero’s island. 8 Richard Brome and Thomas Heywood’s The Late Lancashire Witches , first performed in 1634, presents an ‘ invisible spirit ’ who wields ‘ a brace of greyhounds ’ and therefore gives the frightening impression within the play-world that the dogs are loose. 9

in Making and unmaking in early modern English drama