Open Access (free)
Bryony Dixon

screenable condition. As an archivist at the British Film Institute, I’ll try to explain what survives and why, and some of the really awkward technical, preservation and access problems. I must start with the nature of the collections relating to this period of film history, how they came to be where they are, and what was going on at that time in the international archiving world. The 1950s is a particularly

in British cinema of the 1950s
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Film festivals and the revival of Classic Hollywood
Julian Stringer

-visual culture. The international festival circuit now plays a significant role in the re-circulation and re-commodification of ‘old’ and ‘classic’ movies. Taking the form of revivals, retrospectives, special gala screenings, and archive-driven events, the contemporary exhibition of such historical artefacts provides a powerful means of extending cinephilia into the second century of cinema through a process

in Memory and popular film
Catherine Baker

1 Popular music and the ‘cultural archive’ This book began its Introduction, and begins its chapter structure, not in the mainstream of international affairs (the politics of state socialist Non-Alignment, or postsocialist European border control) but with what might seem a more distant topic: popular music. It does so because the everyday structures of feeling perceptible through popular music are a readily observable sign that ideas of race are part of identity-making in the Yugoslav region; proving this point opens the way to revisiting

in Race and the Yugoslav region
Benoît Pouget

Based on a study of intersecting French archives (those of the Val de Grâce Hospital, the Service Historique de la Défense and the Archives Diplomatiques), and with the support of numerous printed sources, this article focuses on the handling of the bodies of French soldiers who died of cholera during the Crimean War (1854–56). As a continuation of studies done by historians Luc Capdevila and Danièle Voldman, the aim here is to consider how the diseased corpses of these soldiers reveal both the causes and circumstances of their deaths. Beyond the epidemiological context, these dead bodies shed light on the sanitary conditions and suffering resulting from years of military campaigns. To conclude, the article analyses the material traces left by these dead and the way that the Second Empire used them politically, giving the remains of leaders who died on the front lines of the cholera epidemic a triumphant return to the country and a state funeral.

Human Remains and Violence: An Interdisciplinary Journal
Jenny M. James

This review article charts the general direction of scholarship in James Baldwin studies between the years 2015 and 2016, reflecting on important scholarly events and publications of the period and identifying notable trends in criticism. While these years witnessed a continuing interest in the relationship of Baldwin’s work to other authors and art forms as well as his transnational literary imagination, noted in previous scholarly reviews, three newly emergent trends are notable: an increased attention to Baldwin in journals primarily devoted to the study of literatures in English, a new wave of multidisciplinary studies of Baldwin, and a burgeoning archival turn in Baldwin criticism.

James Baldwin Review
Joseph Vogel

This review article charts the general direction of scholarship in James Baldwin studies between the years 2016 and 2017, reflecting on important scholarly events and publications of the period and identifying notable trends in criticism. Surveying the field as a whole, the most notable features are the “political turn” that seeks to connect Baldwin’s social insights from the past to the present, and the ongoing access to and interest in the Baldwin archive. In addition to these larger trends, there is continued interest in situating Baldwin in national, regional, and geographical contexts as well as interest with how he grapples with and illuminates issues of gender and sexuality.

James Baldwin Review
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Dead bodies, evidence and the death march from Buchenwald to Dachau, April–May 1945
Christopher E. Mauriello

This article utilises the theoretical perspectives of the forensic turn to further expand our historical understandings and interpretations of the events of the Holocaust. More specifically, it applies a theory of the materialities of dead bodies to historically reconstruct and reinterpret the death march from Buchenwald to Dachau from 7 to 28 April 1945. It focuses on dead bodies as ‘evidence’, but explores how the evidential meanings of corpses along the death-march route evolved and changed during the march itself and in the aftermath of discovery by approaching American military forces. While drawing on theories of the evidential use of dead bodies, it remains firmly grounded in empirical historical research based on archival sources. The archives at the Buchenwald Concentration Camp contain eyewitness accounts and post-war trial testimony that enable a deeply contextualised ‘microhistory’ of the geography, movements, perpetrators, victims and events along this specific death march in April and May 1945. This ‘thick description’ provides the necessary context for a theoretical reading of the changing evidential meanings of dead bodies as the death march wove its way from Buchenwald to Dachau and the war and the Holocaust drew to an end.

Human Remains and Violence: An Interdisciplinary Journal
Elyse Semerdjian

This article discusses how Armenians have collected, displayed and exchanged the bones of their murdered ancestors in formal and informal ceremonies of remembrance in Dayr al-Zur, Syria – the final destination for hundreds of thousands of Armenians during the deportations of 1915. These pilgrimages – replete with overlapping secular and nationalist motifs – are a modern variant of historical pilgrimage practices; yet these bones are more than relics. Bone rituals, displays and vernacular memorials are enacted in spaces of memory that lie outside of official state memorials, making unmarked sites of atrocity more legible. Vernacular memorial practices are of particular interest as we consider new archives for the history of the Armenian Genocide. The rehabilitation of this historical site into public consciousness is particularly urgent, since the Armenian Genocide Memorial Museum and Martyr’s Church at the centre of the pilgrimage site were both destroyed by ISIS (Islamic State in Syria) in 2014.

Human Remains and Violence: An Interdisciplinary Journal
Suhad Daher-Nashif

This article aims to shed light on the post-mortem practices for Palestinian dead bodies when there is suspicion of human rights violations by Israeli military forces. By focusing on the case of Omran Abu Hamdieh from Al-Khalil (Hebron), the article explores the interactions between Palestinian social-institutional agents, Israeli military forces and international medico-legal agents. Drawing on ethnographic and archival data, the article explores how the intersectionality between the various controlling powers is inscribed over the Palestinian dead bodies and structures their death rites. The article claims that inviting foreign medico-legal experts in the Palestinian context could reveal the true death story and the human rights violations, but also reaffirms the sovereignty of the Israeli military forces over the Palestinian dead and lived bodies.

Human Remains and Violence: An Interdisciplinary Journal
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Reading James Baldwin’s Existential Hindsight in Go Tell It on the Mountain
Miller Wilbourn

This essay reads James Baldwin’s first novel, Go Tell It on the Mountain, through the lenses of European existentialism and Black existential thought to arrive at a new understanding of the novel itself as well as essential stages of its development. Archival sources and close reading reveal Baldwin’s historically and existentially informed artistic vision, summed up in the terms hindsight and insight. His thoughtful, uncomfortable engagement with the past leads to a recuperated relationship to the community and constitutes existential hindsight, which informs his inward understanding of himself—his insight. This investigation draws on various works from Baldwin’s fiction, essays, interviews, and correspondence to arrive at a better understanding of the writer’s intellectual and artistic development, focusing especially on the professed objectives behind, and major revisions of, the novel. I conclude the essay through a close reading of the conversion scene that constitutes Part Three of Go Tell It on the Mountain.

James Baldwin Review