Why is the nation in a post-colonial world so often seen as a motherland? This study explores the relationship between gender icons and foundational fictions of the nation in different post-colonial spaces. The author's work on the intersections between independence, nationalism and gender has already proved canonical in the field. This book combines her keynote essays on the mother figure and the post-colonial nation with new work on male autobiography, ‘daughter’ writers, the colonial body, the trauma of the post-colony and the nation in a transnational context. Focusing on Africa as well as South Asia, and sexuality as well as gender, the author offers close readings of writers ranging from Chinua Achebe, Ben Okri and Nelson Mandela to Arundhati Roy and Yvonne Vera, shaping these into a critical engagement with theorists of the nation such as Fredric Jameson and Partha Chatterjee. Moving beyond cynical deconstructions of the post-colony, the book mounts a reassessment of the post-colonial nation as a site of potential empowerment, as a ‘paradoxical refuge’ in a globalised world. It acts on its own impassioned argument that post-colonial and nation-state studies address substantively issues hitherto raised chiefly within international feminism.
which appear inimical to women’s investment in the postcolonial nation? And, second, how do they set about writing
the erased or marginalised role of the daughter, indeed of the daughter-writer,
into the male-authored national family script? How do they locate a (writerly
and/or actual) national home? Even if preoccupied with the personal, interstitial and apparently microcosmic, these chapters suggest writers such as Flora
Nwapa and Buchi Emecheta, as well as Christina Stead, Shashi Deshpande and
Carol Shields, self-consciously work in resistance to the exclusions of