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Rethinking Digital Divides by Linda Leung
Antonio Díaz Andrade

with individuals from refugee backgrounds. The book addresses the overarching question of how individuals from refugee backgrounds use digital technology to fulfil their communication and information needs. In doing so, Leung describes the scenarios and challenges that refugees face in the three stages that typically describe their journeys: before displacement, during displacement (in transit, refugee camps or detention centres) and resettlement. In her analysis, she rejects the simplistic

Journal of Humanitarian Affairs
Open Access (free)
Digital Bodies, Data and Gifts
Kristin Bergtora Sandvik

, 2015 ; Fast, 2017 ; Read et al. , 2016 ). Digitisation – the collection, conversion, storage and sharing of data and the use of digital technologies to collect and manage information about individuals from affected communities – increasingly shapes understandings of need and the response to emergencies. 2 This use of digital technologies produces ‘digital bodies’ – images, information, biometrics and other data stored in digital space – that represent

Journal of Humanitarian Affairs
Open Access (free)
Governing Precarity through Adaptive Design
Mark Duffield

. Important here is its privileging of the design principle over the need for, or even the possibility of, political change. Design Not Politics The computational turn and societal dependence on digital technologies has changed the way the world is understood and the status of humans within it ( Chandler, 2018 ). The privileging of the design principle is central to this change. Besides the spatial shift from circulation to connectivity, an ontological, epistemological and methodological translation has also taken place ( Duffield, 2018

Journal of Humanitarian Affairs
Open Access (free)
Architecture, Building and Humanitarian Innovation
Tom Scott-Smith

market: it has become unwieldy and rigid and needs to absorb something of the ‘adapt or die’ ethos that prevails in the world of business. Critics have for some years pointed to the problems with ‘innovation’. Some have argued that supposedly innovative ideas were nothing new, resembling the move to participation and accountability in the 1990s ( Sandvik, 2014 ). Others have suggested that there was something particularly worrying in the focus on digital technologies, the

Journal of Humanitarian Affairs
Open Access (free)
Editor: Paul Grainge

As a technology able to picture and embody the temporality of the past, cinema has become central to the mediation of memory in modern cultural life. The memory of film scenes and movies screens, cinema and cinema-going, has become integral to the placement and location of film within the cultural imagination of this century and the last. This book is a sustained, interdisciplinary perspective on memory and film from early cinema to the present. The first section examines the relationship between official and popular history and the constitution of memory narratives in and around the production and consumption of American cinema. The second section examines the politics of memory in a series of chapters that take as their focus three pivotal sites of national conflict in postwar America. This includes the war in Vietnam, American race relations and the Civil Rights Movement, and the history of marginality in the geographic and cultural borderlands of the US. The book explores the articulation of Vietnam. The final section concentrates on the issue of mediation; it explores how technological and semiotic shifts in the cultural terrain have influenced the coding and experience of memory in contemporary cinema. It considers both the presence of music and colour in nostalgia films of the 1990s and the impact of digital and video technologies on the representational determinants of mediated memory. The book also examines the stakes of cultural remembering in the United States and the means by which memory has been figured through Hollywood cinema.

Open Access (free)
Pleasantville and the textuality of media memory
Paul Grainge

theoretical development in the discussion of memory crisis, especially as it bears upon the notional ‘amnesia’ that has been associated with digital technology in, and as part of, the culture of postmodernism. In doing so, I want to examine Pleasantville (1998), a film that reframes the relationship between colourisation and cultural remembrance in a period where ‘digital cinema’ had become, by the late

in Memory and popular film
Open Access (free)
Reframing “sensing” and data generation in citizen science for empowering relationships
João Porto de Albuquerque and André Albino de Almeida

12 Modes of engagement: Reframing “sensing” and data generation in citizen science for empowering relationships João Porto de Albuquerque and André Albino de Almeida Introduction The dissemination of digital technologies has provoked a renewed interest in initiatives that seek to involve citizens and communities in the generation of data and in “citizen science.” The aim of these initiatives is often to widen participation by including citizens in processes hitherto not very accessible to them, such as the collaborative mapping of human settlements (de

in Toxic truths
The case for practice theory
Matthew Hanchard

technological configurations of digital maps, and the entanglement with social practices, digital maps are increasingly ubiquitous through a complicated range of possible media. At times, this can negate meaningful analysis of digital map use through data alone: a digital map can be printed out and shoved in a back pocket, committed to memory, used as a back-up resource (just in case), or used in combination with a guide book or local knowledge. In turn, there is increasing complexity and challenge in grappling empirically with digital technology use beyond online-only web

in Time for mapping
A trialogue
Sybille Lammes, Kate McLean, and Chris Perkins

And you don’t know how comprehend our very human your practice is going to relationship with urban olfac- change in a year’s time because you don’t know tory landscapes. what the smellers will enjoy and how that will Yeah, so as far as I’m con- alter your practice? cerned, the practice is open source. If somebody else wants to go out and do it as well, I would love to see the results. Mapping the quixotic volatility of smellscapes 89 Traditional maps are rendered in two dimensions; digital technologies afford us the options of mapping in four dimensions, but I

in Time for mapping
Open Access (free)
The production of sports media broadcasts
Roslyn Kerr

. In terms of the technologies available to viewers, Todreas (1999, cited in Turner 2007 ) argues that there have been three distinct eras of broadcasting development. First, the 1950s to 1975 included limited broadcasters and heavy regulation. During this era viewers had very little viewing choice. A second era emerged in the 1980s, with the advent of cable, or pay-TV, which provided viewers with a greater range of options. The third era emerged in the 1990s with the advent of digital technologies, which increased

in Sport and technology