Joe Turner

2 Making love, making empire On 19 April 1899 a troupe of South African ‘tribal’ groups landed at Southampton docks on the South Coast of England. Later that month they were due to perform a central role in the Earl’s Court exhibition Savage South Africa. Local reports claimed that ‘among the effects were over 200 natives of South African tribes, a number of Boer families, representatives of the mounted police, and a number of animals’ (Shephard 1986: 97). Early film footage, archived by the Colonial Film Project, shows the apparent moment when the groups

in Bordering intimacy
Open Access (free)
Colonial subjects and the appeal for imperial justice
Charles V. Reed

increased local governance in the colonies of settlement and India; and the declining value of an ‘empire of free trade’ in a world where Britain’s unilateral dominance was threatened by the growing political, economic, and military potency of the United States and Germany. In response, imperial stakeholders sought to cement the importance of the empire to British subjects at home and abroad. The

in Royal tourists, colonial subjects and the making of a British world, 1860–1911
Emigration and the spread of Irish religious influence
Sarah Roddy

5 The spiritual empire at home: emigration and the spread of Irish religious influence The idea that mass migration from nineteenth-century Ireland created an Irish ‘empire’ has had enduring appeal. It proved a rare source of pride during depressed periods in independent Ireland, particularly the 1940s and 1950s, and provided the basis of an evocative title for at least one popular version of the Irish diaspora’s story as late as the turn of this century.1 In the latter context especially, ‘Irish empire’ can appear simply a wry play on a far more common and not

in Population, providence and empire
Charles V. Reed

confusion, it also demonstrates the longevity of Queen Victoria as a symbol of British justice and benevolence, the image carefully nurtured by colonial officials and imperial stakeholders of the Queen as the mother of empire. Despite anti-colonial movements of the interwar period and imperial betrayals from the Union of South Africa to the Amritsar Massacre, this image managed to survive, a testament to

in Royal tourists, colonial subjects and the making of a British world, 1860–1911
Open Access (free)
John Marriott

Rennell, during which time the revolution in ‘our knowledge’ had rendered many of his observations obsolete. Furthermore, the supremacy of British rule was now so complete that India must be viewed not as a ‘mere assemblage of Nabobs, Sultans and Rajas, but as a component portion of the British empire’. 38 The result was A Geographical, Statistical and Historical Description of Hindostan . This

in The other empire
Experts and the development of the British Caribbean, 1940–62
Author:

This book produces a major rethinking of the history of development after 1940 through an exploration of Britain’s ambitions for industrialisation in its Caribbean colonies. Industrial development is a neglected topic in histories of the British Colonial Empire, and we know very little of plans for Britain’s Caribbean colonies in general in the late colonial period, despite the role played by riots in the region in prompting an increase in development spending. This account shows the importance of knowledge and expertise in the promotion of a model of Caribbean development that is best described as liberal rather than state-centred and authoritarian. It explores how the post-war period saw an attempt by the Colonial Office to revive Caribbean economies by transforming cane sugar from a low-value foodstuff into a lucrative starting compound for making fuels, plastics and medical products. In addition, it shows that as Caribbean territories moved towards independence and America sought to shape the future of the region, scientific and economic advice became a key strategy for the maintenance of British control of the West Indian colonies. Britain needed to counter attempts by American-backed experts to promote a very different approach to industrial development after 1945 informed by the priorities of US foreign policy.

Laura Chrisman

chapter3 21/12/04 11:14 am Page 51 3 Empire’s culture in Fredric Jameson, Edward Said and Gayatri Spivak Aijaz Ahmad’s landmark 1992 book In Theory argues that materialist and postcolonial cultural studies are fundamentally incompatible projects.1 Whatever Ahmad may aver, relations between materialism and postcolonialism are more complex than mere incompatibility. For instance, Said’s essay on empire in Jane Austen’s Mansfield Park appears in a recent book titled Contemporary Marxist Literary Criticism, where the editor Francis Mulhern defines Said as

in Postcolonial contraventions
Benoît Pouget

Based on a study of intersecting French archives (those of the Val de Grâce Hospital, the Service Historique de la Défense and the Archives Diplomatiques), and with the support of numerous printed sources, this article focuses on the handling of the bodies of French soldiers who died of cholera during the Crimean War (1854–56). As a continuation of studies done by historians Luc Capdevila and Danièle Voldman, the aim here is to consider how the diseased corpses of these soldiers reveal both the causes and circumstances of their deaths. Beyond the epidemiological context, these dead bodies shed light on the sanitary conditions and suffering resulting from years of military campaigns. To conclude, the article analyses the material traces left by these dead and the way that the Second Empire used them politically, giving the remains of leaders who died on the front lines of the cholera epidemic a triumphant return to the country and a state funeral.

Human Remains and Violence: An Interdisciplinary Journal
Open Access (free)
A Review of Hilton Als’ God Made My Face: A Collective Portrait of James Baldwin
Leah Mirakhor

This essay reviews Hilton Als’ 2019 exhibition God Made My Face: A Collective Portrait of James Baldwin at the David Zwirner Gallery. The show visually displays Baldwin in two parts: “A Walker in the City” examines his biography and “Colonialism” examines “what Baldwin himself was unable to do” by displaying the work of contemporary artists and filmmakers whose works resonate with Baldwin’s critiques of masculinity, race, and American empire. Mirakhor explores how Als’ quest to restore Baldwin is part of a long and deep literary and personal conversation that Als has been having since he was in his teens, and in this instance, exploring why and how it has culminated via the visual, instead of the literary. As Mirakhor observes, to be in the exhibit is not to just observe how Als has formed and figured Baldwin, but to see how Baldwin has informed and made Als, one of our most lyrical and impassioned contemporary writers and thinkers.

James Baldwin Review
José Luís Fiori

, during what Fernand Braudel called the ‘long sixteenth century’ (1450–1650), and it has since expanded continuously inside and outside Europe, with particularly important ‘waves’ during the nineteenth century and the second half of the twentieth century. Throughout this period, the European state system has conquered and incorporated other continental territories, empires and peoples, which, bit by bit, have adopted the rules of coexistence established by the Peace of Westphalia, declared in 1648, at the end of the Thirty Years War. The Peace of

Journal of Humanitarian Affairs