Open Access (free)
Serbian and Croatian victim-centred propaganda and the war in Yugoslavia

Comparing and contrasting propaganda in Serbia and Croatia from 1986 to 1999, this book analyses each group's contemporary interpretations of history and current events. It offers a detailed discussion of Holocaust imagery and the history of victim-centred writing in nationalist theory, including the links between the comparative genocide debate, the so-called Holocaust industry, and Serbian and Croatian nationalism. There is a detailed analysis of Serbian and Croatian propaganda over the Internet, detailing how and why the Internet war was as important as the ground wars in Kosovo, Croatia and Bosnia-Hercegovina, and a theme-by-theme analysis of Serbian and Croatian propaganda, using contemporary media sources, novels, academic works and journals.

Open Access (free)
Confronting relativism in Serbia and Croatia
David Bruce MacDonald

and Croatian propaganda succeeded in spite of itself. In reviewing Serbian and Croatian nationalist propaganda from the collapse of Yugoslavia until the beginning of 1999, the presence of Fall and persecution imagery was an obvious corollary to the horrific ground wars that began after 1991. Myth-makers performed a crucial role in legitimating the rise of Serbian and Croatian nationalism, as well as in excusing the many violent acts of statecraft that flowed from the expansionist designs of Franjo Tudjman and Slobodan Milošević. Clearly, we live in an age when

in Balkan holocausts?
Georg Elwert

). 15 Thomas Zitelmann observed this in Ethiopia (cf. Zitelmann 1993; Eckert et al. 1999).  Allen, T. (ed.) (1996), In Search of Cool Ground. War, Flight and Homecoming in Northeast Africa (Genf). Allen, T. (1999), ‘War, genocide and aid’, in G. Elwert, S. Feuchtwang and D. Neubert (eds), Dynamics of Violence. Processes of Escalation and De-Escalation in Violent Group Conflicts (Berlin), 177–202. Bringa, T. (1995), Being Muslim the Bosnian Way: Identity and Community in a Central Bosnian Village (Princeton). Duffield, M. (1997), ‘Ethnic war and international

in Potentials of disorder
Open Access (free)
Ian Scott
Henry Thompson

wound of a rotten field in Vietnam.1 Oliver Stone penned these words, not as part of some reflective memoir of his experiences as a soldier in the Vietnam War, but immediately upon return from his first trip to Saigon in 1965 where, during a year away from his studies at Yale University, he had done nothing more dangerous than work as an English teacher in a Catholic school. US forces had begun arriving in Vietnam during that year as part of a dramatic escalation, although the ground war that would engulf American foreign policy for the next decade was not yet

in The cinema of Oliver Stone