The Politics of ‘Proximity’ and Performing Humanitarianism in Eastern DRC
, O. and Fox , R. C. ( 2008 ), ‘“Nationals” and “Expatriates”: Challenges of Fulfilling “Sans Frontières” (“Without Borders”) Ideals in International Humanitarian Action’ , Health and Human Rights , 10 : 1 , 109 – 22 .
Stoler , A. L. ( 1995 ), Race and the Education of Desire: Foucault’s HistoryofSexuality and the Colonial Order of Things ( Durham, NC : Duke University Press ).
Stoler , A. L. ( 2016 ), Duress: Imperial Durabilities in Our Times ( Durham, NC : Duke University Press ).
Verweijen , J. ( 2016 ), Stable Instability: Political
This volume tells the story of the case study genre at a time when it became the genre par excellence for discussing human sexuality across the humanities and the life sciences. A History of the Case Study takes the reader on a transcontinental journey from the imperial world of fin-de-siècle Central Europe and the Austro-Hungarian Empire to the interwar metropolises of Weimar Germany, and to the United States of America in the post-war years. Foregrounding the figures of case study pioneers, and always alert to the radical implications of their engagement with the genre, the six chapters scrutinise the case writing practices of Sigmund Freud and his predecessor sexologist Richard von Krafft-Ebing; writers such as Leopold von Sacher-Masoch, Oskar Panizza and Alfred Döblin; Weimar intellectuals such as Erich Wulffen, and New York psychoanalyst Viola Bernard. There result important new insights into the continuing legacy of such writers, and into the agency increasingly claimed by the readerships that emerged with the development of modernity—from readers who self-identified as masochists, to conmen and female criminals. Where previous accounts of the case study have tended to consider the history of the genre from a single disciplinary perspective, this book is structured by the interdisciplinary approach most applicable to the ambivalent context of modernity. It focuses on key moments in the genre’s past, occasions when and where the conventions of the case study were contested as part of a more profound enquiry into the nature of the human subject.
Bordering intimacy is a study of how borders and dominant forms of intimacy, such as family, are central to the governance of postcolonial states such as Britain. The book explores the connected history between contemporary border regimes and the policing of family with the role of borders under European and British empires. Building upon postcolonial, decolonial and black feminist theory, the investigation centres on how colonial bordering is remade in contemporary Britain through appeals to protect, sustain and make family life. Not only was family central to the making of colonial racism but claims to family continue to remake, shore up but also hide the organisation of racialised violence in liberal states. Drawing on historical investigations, the book investigates the continuity of colonial rule in numerous areas of contemporary government – family visa regimes, the policing of sham marriages, counterterror strategies, deprivation of citizenship, policing tactics, integration policy. In doing this, the book re-theorises how we think of the connection between liberal government, race, family, borders and empire. In using Britain as a case, this opens up further insights into the international/global circulations of liberal empire and its relationship to violence.
This book is about science in theatre and performance. It explores how theatre and performance engage with emerging scientific themes from artificial intelligence to genetics and climate change. The book covers a wide range of performance forms from the spectacle of the Paralympics Opening Ceremony to Broadway musicals, from experimental contemporary performance and opera to educational theatre, Somali poetic drama and grime videos. It features work by pioneering companies including Gob Squad, Headlong Theatre and Theatre of Debate as well as offering fresh analysis of global blockbusters such as Wicked and Urinetown. The book offers detailed description and analysis of theatre and performance practices as well as broader commentary on the politics of theatre as public engagement with science. It documents important examples of collaborative practice with extended discussion of the Theatre of Debate process developed by Y Touring theatre company, exploration of bilingual theatre-making in East London and an account of how grime MCs and dermatologists ended up making a film together in Birmingham. The interdisciplinary approach draws on contemporary research in theatre and performance studies in combination with key ideas from science studies. It shows how theatre can offer important perspectives on what the philosopher of science Isabelle Stengers has called ‘cosmopolitics’. The book argues that theatre can flatten knowledge hierarchies and hold together different ways of knowing.
insight about their readers, as seen
in some psychoanalytic and literary case studies discussed herein. They
exploit the genre’s tendency towards undecidability, which introduces
ongoing ambiguity and provides the condition for the ever-shifting nature
of the case study.
In this study, the focus on possibilities for reinterpreting a case study
is key; the ‘slippery’ quality of the genre is highlighted, as a result of
the volume’s vantage point with regard to the example of the historyof sexuality. After Foucault, the case study genre has been identified
, the case study genre undoubtedly continues to offer
writers, both lay and expert, a means for fathoming the riddle that is the
∙ 219 ∙
A HISTORY OF THE CASE STUDY
1 Michel Foucault, The HistoryofSexuality, vol. I: An Introduction, trans. Robert
Hurley (New York: Vintage Books, 1990), p. 154.
2 Teresa Paslawski, ‘Case Study Research in Medicine’, in Albert J. Mills, Gabrielle
Durepos and Elden Wiebe (eds), Encyclopedia of Case Study Research (London:
Sage, 2010), pp. 107–9.
3 Warwick Anderson, ‘The Case of the Archive’, in Joy Damousi
Mass violence, corpses, and the Nazi imagination of the East
USHMMA, RG 14.015.81, Fiche 3922.
USHMMA, RG 14.068, Box 29, Fiche 391.35.
USHMMA, RG 18.002, Reel 8, Fond R 82, Opis 1, Folder 6.4–6; RG
14.068, Box 29, Fiche 391, 101, Fiche 395.258.
USHMMA, RG 14.068, Box 29, Fiche 396; A. Adamovitch, Y. Bryl &
V. Kolesnik, Out of the Fire (Moscow: Progress Publishing, 1980), p.
247; R. Wiegman, ‘The anatomy of lynching’, Journal of the HistoryofSexuality, 3:3 (January 1993), 445–67, at p. 446; USHMMA, RG 18.001,
Reel 8, Fond R 82, Opis 1, Folder 9.63–4, Folder 10.15.
Weindling, Epidemics and Genocide in Eastern Europe, pp. 42
natural law in eighteenth-century debates, Pollak provides context for
her discussion of incest’s potential for transgression in the
literature of this time and demonstrates the advantages of combining
The historyofsexuality is also essential to my analyses
of Gothic texts: Michel Foucault’s and Leo Bersani’s
understandings of power and sexuality inform my discussion of incest
Balance, malleability and anthropology: historical contexts
ancient Greece in his work on the historyofsexuality.
However, elsewhere Foucault does write about the historically specific emergence of ‘separate beings with separate selves’ in his work on penology in Discipline and Punish . Here he argues that ‘for a long time ordinary individuality – the everyday individuality of everybody – remained below the threshold of description’.
In any case, Hunt is absolutely right that notions of selfhood
scholars such as George E. Haggerty in Queer Gothic ( 2006 ), Luce Irigaray in This Sex Which is Not
One ( 1977 ) and Michel Foucault in The
HistoryofSexuality (1976). Examining the intersections of
sexuality and power within the representations of mother–son
incest in the Gothic reveals the complexities of the radical
destabilisations of gender and heteronormativity occurring