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Chloe Porter

and Rowland Buckett, many dramatists worked with artisans on the production of spectacle for civic pageants and royal entertainments commissioned by the London Livery Companies. 118 In the playhouses, moreover, dramatists were engaged in the collaborative production of spectacle that was consumed by sizeable crowds of people. In this light, the choice to depict image-makers and spectators as singular figures seems

in Making and unmaking in early modern English drama