Rothenburg, 1561–1652
Author: Alison Rowlands

Given the widespread belief in witchcraft and the existence of laws against such practices, why did witch-trials fail to gain momentum and escalate into ‘witch-crazes’ in certain parts of early modern Europe? This book answers this question by examining the rich legal records of the German city of Rothenburg ob der Tauber, a city that experienced a very restrained pattern of witch-trials and just one execution for witchcraft between 1561 and 1652. The book explores the factors that explain the absence of a ‘witch-craze’ in Rothenburg, placing particular emphasis on the interaction of elite and popular priorities in the pursuit (and non-pursuit) of alleged witches at law. By making the witchcraft narratives told by the peasants and townspeople of Rothenburg central to its analysis, the book also explores the social and psychological conflicts that lay behind the making of accusations and confessions of witchcraft. Furthermore, it challenges the existing explanations for the gender-bias of witch-trials, and also offers insights into other areas of early modern life, such as experiences of and beliefs about communal conflict, magic, motherhood, childhood and illness. Written in a narrative style, the study invites a wide readership to share in the drama of early modern witch trials.

Alex J. Bellamy

3 The Croatian historical statehood narrative In his 1998 state of the nation address, the Croatian President Franjo Tuœman noted that with the restoration of the Croatian Danube region including Vukovar ‘to our homeland’, ‘[t]he centuries-old dream of the Croatian people has thereby been completely fulfilled’.1 Similarly, the new constitution promulgated shortly after independence proclaimed ‘the millennial national identity of the Croatian nation and the continuity of its statehood, confirmed by the course of its entire historical experience in various statal

in The formation of Croatian national identity
The Marshall Plan films about Greece
Katerina Loukopoulou

case studies, such as Ireland, Austria and Italy, and an emphasis on narratives of reconstruction, productivity and national identity. 14 The case of Greece and the humanitarian narratives of the MP films at large have been underexplored so far. By concentrating on the MP films about Greece, my aim is to correlate their discourse of reconstruction with the narrative of humanitarianism and to

in Global humanitarianism and media culture
Louise Zamparutti

This essay analyses the literature on the foibe to illustrate a political use of human remains. The foibe are the deep karstic pits in Istria and around Trieste where Yugoslavian Communist troops disposed of Italians they executed en masse during World War II. By comparing contemporary literature on the foibe to a selection of archival reports of foibe exhumation processes it will be argued that the foibe literature popular in Italy today serves a political rather than informational purpose. Counterpublic theory will be applied to examine how the recent increase in popular foibe literature brought the identity of the esuli, one of Italy‘s subaltern counterpublics, to the national stage. The paper argues that by employing the narrative structure of the Holocaust, contemporary literature on the foibe attempts to recast Italy as a counterpublic in the wider European public sphere, presenting Italy as an unrecognised victim in World War II.

Human Remains and Violence: An Interdisciplinary Journal
Paul Salzman

28 Francis Bacon’s New Atlantis 2 Narrative contexts for Bacon’s New Atlantis PAUL SALZMAN When Bacon wrote the New Atlantis, he clearly had More’s Utopia in mind as a model, offering a small homage to it in a comment made by the ‘good Jew’: ‘I have read in a book of one of your men, of a Feigned Commonwealth, where the married couple are permitted, before they contract, to see one another naked’.1 With great acuity, Susan Bruce has pointed out the significance of the family, and of desire, as a link between the two utopias.2 Bruce argues that in Bacon

in Francis Bacon’s New Atlantis
Open Access (free)
Sara Haslam

1 The narrative push In this chapter the relationship between fragmentation, repression and writing will be explored. Some of the less obvious contributing factors for Ford’s first volume of autobiography (Ancient Lights) will also be examined. Close attention will be paid to the historical context that helped to produce Ancient Lights – discussed briefly in the Introduction and again in Chapter 5. Necessarily brief in its attention to some major issues (notably the First World War, addressed in Chapter 4), this is primarily a survey chapter that begins to

in Fragmenting modernism
Benjamin A. Saltzman

reticence; the other, externalized public expression. But in Beowulf , these two senses of intimacy powerfully converge at moments when stories are shared and recited: moments in which knowledge is communicated through narrative and community is inwardly synthesized. It is in these moments of convergence between narrative and communal intimacy that a profound experience of joy tends to materialize in the poem. The first such communal experience of joy is short-lived, destroyed almost as quickly as it is created. Set in motion by the construction of

in Dating Beowulf
Laura Stark

. Yet for today’s folklorist or oral historian, this context represents unknown territory. Without information concerning their social setting and underlying motivations, practices aimed at magical harm may appear as dark, mysterious, anti-social events completely divorced from normal, everyday social interaction and experience, or opposed to social integration and cohesion. In this chapter I draw upon over 300 narratives

in Witchcraft Continued
The Visual Politics and Narratives of Red Cross Museums in Europe and the United States, 1920s to 2010s
Sönke Kunkel

. Two particular qualities, however, make them distinct from other visual media: the one is their capability to create three-dimensional visual experiences by arranging films, photos, text panels, and other aesthetic objects across a museum space. The other is their ability to shape multisensory narratives that connect various media with each other. A look at the history of Red Cross museums therefore opens a promising window on the ways in which those institutions have

Journal of Humanitarian Affairs
Open Access (free)
Valérie Gorin and Sönke Kunkel

figure to overcome the politics of borders ( Johnson, 2011 ; Malkki, 1996 ; Rajaram, 2002 ), or the contribution of visual media to ideologies embedded in humanitarian narratives, from the human rights framework to colonialism, nationalism, and imperialism ( Briggs, 2003 ; Dogra, 2012 ; Lydon, 2016 ; Sliwinski, 2011 ). In this special issue, we build on such scholarship by inquiring into the role that specific media such as photography, film, graphic materials, or museums

Journal of Humanitarian Affairs