The military coup of March 1976 in Argentina ruptured the prevailing institutional order, with the greater part of its repressive strategy built on clandestine practices and tactics (death, torture and disappearance) that sowed fear across large swathes of Argentine society. Simultaneously, the terrorist state established a parallel, de facto legal order through which it endeavoured to legitimise its actions. Among other social forces, the judicial branch played a pivotal role in this project of legitimisation. While conscious of the fact that many of those inside the justice system were also targets of oppression, I would like to argue that the dictatorship‘s approach was not to establish a new judicial authority but, rather, to build upon the existing institutional structure, remodelling it to suit its own interests and objectives. Based on an analysis of the criminal and administrative proceedings that together were known as the Case of the judicial morgue, this article aims to examine the ways in which the bodies of the detained-disappeared that entered the morgue during the dictatorship were handled, as well as the rationales and practices of the doctors and other employees who played a part in this process. Finally, it aims to reflect upon the traces left by judicial and administrative bureaucratic structures in relation to the crimes committed by the dictatorship, and on the legal strategies adopted by lawyers and the families of the victims.

Human Remains and Violence: An Interdisciplinary Journal
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All political argument employs political concepts. They provide the building blocks needed to construct a case for or against a given political position. Justifications of oppression in the name of liberty are no mere products of the liberal imagination, for there are notorious historical examples of their endorsement by authoritarian political leaders. This book explores two approaches to rights: the interest-based (IB) approach, and the obligation-based or Kantian view. Both are shown to offer coherent justifications that can avoid turning all political concerns into a matter of rights. The concept of social justice emerged in both at the start of the twentieth century, and justified institutions for the democratic modification for market outcomes, on utilitarian, maximin or common good grounds. The book explores whether people do in fact have good and justifiable reasons for complying with laws that go beyond mere fear of punishment, and, if so, whether they are bound or obligated by those reasons to comply. It discusses national ties and how they are supposed to act as glue that holds the state together in the eyes of its citizens. The book also explores the link between the weakening of states and this change in criminal policies, and outlines their implications for individual rights. Theorists have used the idea of social exclusion to advocate an approach to social justice that sees increased labour-market participation as the key to equal to citizenship. The contemporary understandings of the public-private distinction and feminist critiques of these are also examined.

not my intention to make proprietorial claims about the nature of anarchism per se. This purpose of this chapter is to illustrate the importance of broadening the understanding of social anarchism. The intention is not to dismiss or discount other modes of anarchism, but simply to highlight how anarchist theory and practice (focusing on its postmodern and/or poststructuralist manifestations) is evolving into something distinct and is, at the same time, nurturing contemporary modes of resistance against traditional social, political and economic forms of oppression

in Changing anarchism
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The ethics and politics of memory in an age of mass culture

person’s memory – is figured as a form of addiction. The film is set in Los Angeles, on New Year’s Eve 1999. The Los Angeles of the film is a chaotic, multicultural world of violence, epitomised by the assassination of Jeriko One, an important African-American rapper and a vocal opponent of white oppression. Rather than confront this bleak reality, people buy ‘wire trips’, which are memories that can be

in Memory and popular film
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Jane Eyre in Elizabeth Stoddard’s New England

), displays the influence that Brontë had upon her writing. Both Brontë’s Jane Eyre (1847) and Stoddard’s The Morgesons are written in the first person, and both begin with the heroine as a child, before bringing her, at the age of eighteen, to her first sexual encounter. The heroine’s progress from beginning to end is given a psycho-social context by employing what has come to be known as female Gothic, a mode which expresses women’s sexual fantasies and fears, as well as their rage at male oppression, and is itself derived from the Gothic writings of late eighteenth

in Special relationships
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What does race have to do with the Yugoslav region?

forefront of questioning early 1990s liberal assumptions that the collapse of Communism would bring all east Europeans greater freedoms, but also of recognising interlocking systems of oppression in ways that did not then call themselves intersectional but might still have been compatible with intersectionality, or with a translation of it to east European settings. Feminists recognising the intersection of gender and ethnicity in sexualised ethnopolitical violence during the Yugoslav wars and in the patriarchal politics of postsocialist ‘retraditionalisation’ (Mostov

in Race and the Yugoslav region
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The political and economic growth of a continent

This study interprets and interrelates the major political, economic and security developments in Europe – including transatlantic relations – from the end of World War II up until the present time, and looks ahead to how the continent may evolve politically in the future. It weaves all the different strands of European events together into a single picture that gives the reader a deep understanding of the continent, and of its current and future challenges. The first chapters trace European reconstruction and political, economic and security developments – both in the East and in the West – leading up to the dissolution of the Soviet Union in 1991. Later chapters examine the European Union's reform efforts, enlargement, movement to a single currency and emerging security role; the political and economic changes in central and Eastern Europe, including Russia; the break up of Yugoslavia and the wars that ensued; and the North Atlantic Treaty Organisation (NATO)'s enlargement and search for a new mission. Final chapters deal with forces affecting Europe's future, such as terrorism, nationalism, religion, demographic trends and globalisation.

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colonialism and oppression, but linked cultural determination to political autonomy. Its final resolution declared: We maintain that the growth of culture is dependent upon the termination of such shameful practices in this twentieth century as colonialism, the oppression of weaker peoples and racialism

in West Indian intellectuals in Britain
Clotilde Escalle’s tales of transgression

resort to violence as a means not of salvation,but of survival.Furthermore,the violence is directed much more often against themselves than against others. These novels are tales of oppression, of violence and abuse, of masochism, of cruelty and despair, of lancinating indifference, and ultimately of  Transgressions and transformation transgression. They portray a world in which love is strikingly absent, if none the less sometimes – nostalgically rather than prospectively – yearned for. They present sex brutally and almost pornographically. They tear the soul

in Women’s writing in contemporary France
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region Just as anti-racist movements often struggle to discuss ‘racism’ as structural oppression rather than individual prejudice (Lentin 2004 ), studies of the Yugoslav region (and eastern European studies in general) struggle to thread together discussions of race. Often, texts and histories where race should come into view are scattered throughout the literature, rather than being connected into the kind of conversation that already exists about modernity, orientalism and postcoloniality in the Balkans. And yet, this well-established conversation

in Race and the Yugoslav region