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Beckett’s Film
Philipp Schweighauser

. Esposito , Roberto ( 2013a ), ‘ Community, Immunity, Biopolitics ’, Angelaki , 18 : 3 , pp. 83–90 . Esposito , Roberto ( 2013b ), Terms of the Political: Community, Immunity, Biopolitics , trans. Rhiannon Noel Welch, New York : Fordham University Press . Esslin , Martin ( 1961 ), The Theatre of the Absurd , Garden City, NY : Anchor Books, Doubleday

in Beckett and media
Open Access (free)
Ian Scott
Henry Thompson

 (2010) 128 By 2010, Stone’s shading of the characters in draft scripts underlined how blurred the lines between right and wrong had become. Despite the ‘Occupy Wall Street’ protests, this approach accurately reflected the evident reticence on the part of the business and political community to take more decisive action in the wake of the crash, as well as an absence of sufficient public pressure for such action. In contrast with the original 1987 screenplay, the new story sought to shift the focus from the trading floors of Wall Street to the Federal Reserve

in The cinema of Oliver Stone