Filmmaker Karen Thorsen gave us James Baldwin: The Price of the
Ticket, the award-winning documentary that is now considered a
classic. First broadcast on PBS/American Masters in August, 1989—just
days after what would have been Baldwin’s 65th birthday—the film
premiered at the Sundance Film Festival in 1990. It was not the film Thorsen
intended to make. Beginning in 1986, she and Baldwin had been collaborating on a
very different film project: a “nonfiction feature” about the
history, research, and writing of Baldwin’s next book, Remember
This House. It was also going to be a film about progress: how far
we had come, how far we still had to go, before we learned to trust our common
humanity. The following memoir explores how and why their collaboration began.
This recollection will be serialized in two parts, with the second installment
appearing in James Baldwin Review’s seventh issue, due
out in the fall of 2021.
material dimensions of the letter in this sequence in ‘ScreenedWriting: Notes on Bergman’s Hand’, Word & Image 31:4
(2015), 459–472 (at 464 and 465), doi:
For Bergman’s comments on the subject,
see numerous quotes taken from both interviews and his notebooks, in
Koskinen, Ingmar Bergman’s The Silence, pp.
In Swedish: ‘ När jag
försöker konstruera ett
The Australian and New Zealand repertoires and fortunes of North American performers Margaret Anglin, Katherine Grey and Muriel Starr
, Tobias Becker and David Linton, eds (2014), Popular Musical
Theatre in Berlin and London 1890–1939, Cambridge: Cambridge University
Schweitzer, Marlis (2015), Transatlantic Broadway: Infrastructural Politics of
Global Performance, Basingstoke: Palgrave Macmillan.
Turney, Wayne S. (2016), ‘Richard Mansfield (1857–1907)’, http://www.wayne
turney.20m.com/mansfieldrichard.htm (accessed 8 May 2016).
Vagg, Stephen (2006), ‘Frank Harvey: Australian Screen-Writing Pioneer’,
Australasian Drama Studies, 48, pp. 79–98.
Women and popular performance