Two case studies
Florence Carré, Aminte Thomann, and Yves-Marie Adrian

In Normandy, near Rouen, in Tournedos-sur-Seine and Val-de-Reuil, two adult skeletons thrown into wells during the Middle Ages have been studied. The wells are located at two separate sites just 3 km apart. Both sites consist of clustered settlements inhabited from the seventh to the tenth century and arranged around a cemetery. The backfill of the well shafts contains animal remains, but also partially or completely articulated human bodies. In Val-de-Reuil, the incomplete skeleton of a man, probably representing a secondary deposition, had traces of a violent blow on the skull, certainly with a blunt weapon. In Tournedos-sur-Seine, a woman thrown in headfirst had several impact points and bone fractures on the skull that could have been caused by perimortem mistreatment or a violent death. After a detailed description of the two finds and a contextualisation in the light of similar published cases, we will discuss the possible scenarios for the death and deposition of the individuals as well as their place in their communities.

Human Remains and Violence: An Interdisciplinary Journal
Open Access (free)
Digital photography and cartography in Wolfgang Weileder’s Atlas
Rachel Wells

5 ‘Space-crossed time’: digital photography and cartography in Wolfgang Weileder’s Atlas1 Rachel Wells The places we have known do not belong only to the world of space on which we map them for our own convenience. They were only a thin slice, held between the contiguous impressions that composed our life at that time; the memory of a particular image is but regret for a particular moment; and houses, roads, avenues are as ­fugitive, alas, as the years. (Proust, 2002: 513) The creation of an ‘Atlas’ is an ambitious project. The word suggests accuracy in detail

in Time for mapping
Open Access (free)
Shane Weller

6 Unwords Shane Weller In a well-known letter of 14 June 1967 to the literary critic Sighle Kennedy, Beckett counters her proposed literary couple of Joyce and Proust with the philosophical one of Democritus and Geulincx as the two ‘points of departure’ for any critical analysis of his works. As Beckett puts it: ‘I simply do not feel the presence in my writings as a whole of the Joyce & Proust situations you evoke. If I were in the unenviable position of having to study my work my points of departure would be the “Naught is more real . . .” and the “Ubi nihil

in Beckett and nothing
Bringing the Shows to life
Tracey Hill

3 ‘A day of well Compos’d Variety of Speach and shew’: bringing the Shows to life Given their predominantly visual appeal to the original audiences it is perhaps surprising that relatively little attention has yet been paid within literary and historical scholarship to how the visual and aural spectacle of the Lord Mayors’ Shows would have been experienced on the day of the performance. This is partly down to the general dominance within literary scholarship of printed texts, and it is also, of course, due to the elusive nature of pageantry, which would seem

in Pageantry and power
Valérie Gorin

, where and how those interrelate with human rights. MSF is not a rights group. We don’t speak on rights except when we say we need to have access to medicines and quality care, and we have to make this affordable. If you look at the rights to health (availability, supportability, accessibility, and quality), all the things we speak around, well, the reality is that while we don’t name it as such, we speak on the elements of the rights to health from a principled, ethical approach. Physicians for Human Rights 5 would come straight out that whatever the situation is

Journal of Humanitarian Affairs
The Politics of ‘Proximity’ and Performing Humanitarianism in Eastern DRC
Myfanwy James

actors so that NGOs can negotiate access to operate in the fragmented and shifting political landscape. The members of the Cercle represent the backbone of humanitarian presence in North Kivu. As one of the founders put it, we are like ‘fixers’ as well as humanitarians, and this is our ‘Congolese space of aid’. Although it does not feature in most official narratives, the ability of international humanitarian organisations to work in eastern DRC depends on this Congolese space of aid, which operates alongside the world of mobile foreign staff. This article explores

Journal of Humanitarian Affairs
Why Building Back Better Means More than Structural Safety
Bill Flinn

Sendai Framework for Disaster Risk Reduction ( UNISDR, 2015 ). More recently Build Back Safer has been in favour ( Kennedy et al. , 2008 ). At the time of the tsunami response there was a well-intentioned notion that Aceh, Sri Lanka and other affected regions should be built back better than before ( Fan, 2013 ). The amount of money available after the tsunami – there has never been so much aid money either before or since with US$14 billion pledged or donated – allowed for such aspirations ( TEC, 2006 ). However, the reality of most post-disaster responses, with low

Journal of Humanitarian Affairs
Mel Bunce

advertising as well as invented stories that masquerade as news reports. Attempting to add clarity to the debate, journalism commentator and researcher Claire Wardle (2017) suggests that we should distinguish between different types of fake news, paying attention to: 1) the nature and type of the content, 2) the motivation of the producer and 3) how it is disseminated. From this analysis, Wardle suggests there is a spectrum of fake news: at one end is satire and parody – content that has no intention to cause harm but can potentially fool

Journal of Humanitarian Affairs
Visual Advocacy in the Early Decades of Humanitarian Cinema
Valérie Gorin

humanitarian campaigns that all mixed fundraising, awareness and education. This period was indeed a laboratory for aid agencies to develop and adapt their communication practices, with blurred lines between publicity and propaganda, promotion, identity, and reputation. The paper first examines the creation of humanitarian films in the 1920s that resulted from competing communication strategies among organizations. It then reflects on the use of humanitarian cinema, both as a mean to advertise, as well as to make public claims. The paper continues by exploring the

Journal of Humanitarian Affairs
Four Conversations with Canadian Communications Officers
Dominique Marshall

transnational exchanges on the use of social media with the more experienced British and US partners in the Red Cross movement. Since then, the CRC has shared its own experience with other national Red Cross organizations. In 2017, in Bangkok, Falconer attended the triennial gathering of Communications Officers of the whole Federation of Red Cross and Red Crescent Societies, the Global Communications Forum. The five officers also follow the practices of ‘companies who do this very well’, as WUSC Communications Officer, Stephanie Leclair, mentioned. She also keeps abreast of

Journal of Humanitarian Affairs