Search results

This collection interrogates the representation of humanitarian crisis and catastrophe, and the refraction of humanitarian intervention and action, from the mid-twentieth century to the present, across a diverse range of media forms: traditional and contemporary screen media (film, television and online video) as well as newspapers, memoirs, music festivals and social media platforms (such as Facebook, YouTube and Flickr). The book thus explores the historical, cultural and political contexts that have shaped the mediation of humanitarian relationships since the middle of the twentieth century. Together, the chapters illustrate the continuities and connections, as well as the differences, which have characterised the mediatisation of both states of emergency and acts of amelioration. The authors reveal and explore the significant synergies between the humanitarian enterprise, the endeavour to alleviate the suffering of particular groups, and media representations, and their modes of addressing and appealing to specific publics. The chapters consider the ways in which media texts, technologies and practices reflect and shape the shifting moral, political, ethical, rhetorical, ideological and material dimensions of international humanitarian emergency and intervention, and have become integral to the changing relationships between organisations, institutions, governments, individual actors and entire sectors.

’ children by purchasing environmentally friendly products, or we might act against child labour practices in ‘distant’ nations by purchasing garments manufactured by particular companies. These practices raise several questions of a global humanitarianism for children. Can the intent to protect ‘our’ children extend to a more universalised impulse to protect ‘other’, more distant children? What are the limitations of

in Global humanitarianism and media culture
Open Access (free)
Television and the politics of British humanitarianism

The mass media is a critical actor in the global humanitarian system. New communication technologies have publicised and drawn attention to disasters and faraway suffering, collapsing the distance between global North and South, mobilising public empathy and accelerating the growth of international NGOs. 1 The linkages between humanitarianism and the media have been analysed from a range of

in Global humanitarianism and media culture
Open Access (free)

such as Jonathan Benthall and Kevin Rozario suggest that global humanitarianism acquired its distinctive contemporary ethos and form in the West with the founding of the International Committee of the Red Cross in 1863, and subsequently with the work of the American Red Cross during the First World War. 8 However, humanitarianism underwent a significant shift in the aftermath of the Second World War. Craig Calhoun, for example, claims the civilian

in Global humanitarianism and media culture
Grassroots exceptionalism in humanitarian memoir

industry has begun to find its voice. Paradoxically, this figure has come most to life just as humanitarianism has become more professionalised, assuring readers that the face of this global multi-billion dollar industry is still predicated on the spontaneous ingenuousness and ingenuity of the rogue actor bucking the system in order to effect social change. 2 As the aid world has expanded to serve its

in Global humanitarianism and media culture
From starving children to satirical saviours

social networking platform, which dictates both the type of communication produced and how users can respond to issues, such as encouraging people to ‘like’ global poverty.  Governing visibility In the twentieth century the communication of humanitarianism was governed by traditional media powers, including mainstream newspaper and TV news editors. The power to

in Global humanitarianism and media culture
The Marshall Plan films about Greece

A growing number of studies have argued for a historical and historicised understanding of global humanitarianism and humanitarian intervention. 1 However, the history of the interdependence of humanitarianism with media campaigns and the wider visual culture of each period remains an underexplored field, as the few studies in this area highlight. 2 The Marshall Plan films stand for a landmark

in Global humanitarianism and media culture
Offline and online games, branding and humanitarianism at the Roskilde Festival

Global Charity ( New York : Routledge , 2013 ). 3 For example, L . Chouliaraki , The Ironic Spectator: Solidarity in the Age of Post-Humanitarianism ( Cambridge : Polity Press , 2013 ); Kapoor, Celebrity Humanitarianism ; M. K . Goodman and C . Barnes , ‘ Star/Poverty Space: The Making

in Global humanitarianism and media culture
Journalism practice, risk and humanitarian communication

Intervention ( Abingdon : Routledge , 2005 ); M. Shaw , Civil Society and Media in Global Crises: Representing Distant Violence ( London : Continuum International/Pinter Publishers , 1996 ). 22 S. L. Carruthers , ‘ Media Constructions of “African Savagery” and “Western Humanitarianism” in the

in Global humanitarianism and media culture

work by aid agencies and their close relationship with journalists. Simon Cottle and David Nolan claim that, ‘These developments imperil the very ethics and project of global humanitarianism that aid agencies historically have done so much to promote’. 10 Glenda Cooper also questions the editorial integrity of journalists working with aid agencies: ‘While journalists – if sometimes imperfectly – work on the principle of

in Global humanitarianism and media culture