what’s happening around the world today as if there haven’t been people… theorising racism, nationalism, empire and gender for a century and warning of exactly what we see now.’ Moulded by Eurocentric knowledge systems, most of us react to such developments with utter shock. We – an imagined citizenry of respectable democracies – are horrified and appalled at how far we have been dragged from our liberal, more-or-less progressive self-image. And we are invited to consider whether we might be witnessing the end of the liberal humanitarian order

Journal of Humanitarian Affairs
Open Access (free)
Governing Precarity through Adaptive Design

safe, logoed, glitzy and smart. Besides establishment acceptance, humanitarian innovation draws positivity from its disavowal of past failures and commitment to a future of ‘failing-forward in a spirit of honesty’ ( HPG, 2018 : 132). Transparency regarding current systemic ‘pathologies’ like institutionalising self-interest or neglecting the agency of the disaster-affected ( ibid .: 22–3) is part of the self-cleansing necessary to birth a humanitarianism 2.0. This paper, however, questions whether humanitarian innovation can be any more effective

Journal of Humanitarian Affairs
A Focus on Community Engagement

Leone. There were significant regional and national differences in local health and economic needs, national histories and authorities’ handling of community engagement. However, our comparative approach also illustrates how, across the three countries, social life, communal trust and political legitimacy worked around, through and in conflict with formal and informal community engagement interventions and local leadership structures. The narratives we present below reveal the restricted range of options for humanitarian NGOs and state representatives in encounters

Journal of Humanitarian Affairs
Staff Security and Civilian Protection in the Humanitarian Sector

protection’ and ‘staff security’ – and each designates a distinct set of policies and practices. Starting from the perspective that the reasons for such a distinction are not self-evident, the current article seeks to draw attention to the differences between staff-security and civilian-protection strategies, and to stimulate a conversation about the extent to which the differences are justified. The aim is not to argue for or against particular strategies for the safety of aid workers or the wider civilian population, or even to argue that the distinction between these

Journal of Humanitarian Affairs
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Interpreting Violence on Healthcare in the Early Stage of the South Sudanese Civil War

violence on health facilities and personnel is primarily, if not exclusively, motivated by belligerents’ intent to deprive their enemy and its associated population of access to healthcare ( Rubenstein and Bittle, 2010 ; International Committee of the Red Cross, 2011 ). This article attempts to present a more complex picture and broaden understanding of the issue by providing a detailed narrative of episodes of violence affecting MSF-supported health structures, one that contextualises these violent incidents with regard for the dynamics of conflict in South Sudan as

Journal of Humanitarian Affairs

This study is about the central place of the emotional world in Beckett's writing. Stating that Beckett is ‘primarily about love’, it makes a re-assessment of his influence and immense popularity. The book examines numerous Beckettian texts, arguing that they embody a struggle to remain in contact with a primal sense of internal goodness, one founded on early experience with the mother. Writing itself becomes an internal dialogue, in which the reader is engaged, between a ‘narrative-self’ and a mother.

Open Access (free)
The hidden self in Beckett’s short fiction

5 The dispeopled kingdom: the hidden self in Beckett’s short fiction Preceding chapters have examined the experience of primal disconnection in several of Beckett’s works. Murphy’s failure to recognize emerging, loving feelings, Watt’s inability to connect to an enduring, whole internal presence, the disrupted, enmeshed relationships in Waiting for Godot, the images of primal maternal absence in … but the clouds …, Footfalls and so forth, all reflect a central feeling-state of nonrecognition within narrative-self. This chapter focuses on first-person short

in Samuel Beckett and the primacy of love
The representation of violence in Northern Irish art

visual artworks Willie Doherty responds to both the performative and narrative dimensions of Northern Irish punishment killings by creating texts which, while silent, are complexly self-reflexive and engage the viewer’s own understanding of the Northern Irish conflict. 9780719075636_4_017.qxd 290 16/2/09 9:30 AM Page 290 After words Doherty’s photographic diptych entitled Small Acts of Deception 1 (1997) at first seems enigmatic, eschewing contextualising detail save for the enigmatic title. It deliberately refrains from presenting the images within an overt

in Irish literature since 1990

– arguments in favor of their autonomy and statehood.’3 This chapter will focus on historical claims to self-rule and the ways that Croatian historians and historical narratives have tended to focus on questions of elite politics and sovereignty rather than the ethnic and linguistic claims expected by primordialists and articulated by sections of the contemporary Croatian nationalist movement.4 I am not arguing that contemporary Croatian national identity is primarily constituted by reference to claims to historical statehood. As I pointed out in the previous chapter, the

in The formation of Croatian national identity
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White male vulnerability as heterosexual fantasy

figure of the broken, rich, sad white man entails, motivates and fuels. Second, and in connection with Eva Illouz’s (2014) analysis of Fifty Shades as self-​help, I inquire after the interconnections of trauma and sexual fantasy within the novels’ broad appeal. Third, bringing these strands of discussion together, I ask how male vulnerability of the spectacular kind works in relation to social and economic privilege, the dynamics of BDSM and gendered relations of power  –​namely, how the narrative centrality of a privileged yet broken white man attunes the imagery of

in The power of vulnerability