Open Access (free)

2 Imagining places Introduction This chapter considers the spatial nature of school choice and introduces the three areas in Greater Manchester in which the study took place: Cheadle Hulme, Chorlton and Whalley Range. In the UK, despite the diversification of different types of schools and modes of admission, schooling remains driven by location. Given that ‘choice’ is limited (discussed further in Chapter 3), the clearest way for families to exercise choice over schooling in the public sector is to move to be nearer a desirable school. Every year, newspapers

in All in the mix
Open Access (free)
Irish drama since 1990

9780719075636_4_003.qxd 16/2/09 9:24 AM Page 43 3 Home places: Irish drama since 1990 Clare Wallace and OndPej PilnM To appraise Irish theatre of the recent past is an ominous task; to attempt to predict what might be remembered in the future a treacherous one. From 1990 to mid-2006 the Irish Playography database lists 842 plays, devised pieces and adaptations produced in Ireland by Irish theatre companies and other commercial bodies. Since 1990 critical interest in Irish theatre has grown rapidly, spurred on in part by the Abbey Theatre centenary in 2004

in Irish literature since 1990
James Baldwin Review
Contemporary Irish and Scottish fiction

9 Waking up in a different place: contemporary Irish and Scottish fiction GLENDA NORQUAY AND GERRY SMYTH In his 1994 essay entitled ‘The lie of the land: some thoughts on the map of Ireland’, the Irish journalist and cultural commentator Fintan O’Toole made the point that although Dublin and Edinburgh are equidistant from the Rhine, the latter city, according to a certain German map of Europe’s new economically defined regions, was part of the core whereas Dublin is part of the outer periphery, simply because Edinburgh is more accessible and richer. In this

in Across the margins
Open Access (free)
Changing meanings of the countryside in northern Italy

2 A ‘private place’? Changing meanings of the countryside in northern Italy Jaro Stacul Introduction The relationship between official discourses and the ways they are understood at different levels of the national community is one of the most intriguing issues in the social sciences. The study of competing discourses about the countryside in late modernity provides an opportunity for casting light on such relationship, and this chapter sets out to explore how meanings attached to the Italian countryside are affected by changing political ideologies, most

in Alternative countrysides

The Journal of Humanitarian Affairs is an exciting, new open access journal hosted jointly by The Humanitarian Affairs Team at Save the Children UK, and Centre de Réflexion sur l’Action et les Savoirs Humanitaires MSF (Paris) and the Humanitarian and Conflict Response Institute at the University of Manchester. It will contribute to current thinking around humanitarian governance, policy and practice with academic rigour and political courage. The journal will challenge contributors and readers to think critically about humanitarian issues that are often approached from reductionist assumptions about what experience and evidence mean. It will cover contemporary, historical, methodological and applied subject matters and will bring together studies, debates and literature reviews. The journal will engage with these through diverse online content, including peer reviewed articles, expert interviews, policy analyses, literature reviews and ‘spotlight’ features.

Our rationale can be summed up as follows: the sector is growing and is facing severe ethical and practical challenges. The Journal of Humanitarian Affairs will provide a space for serious and inter-disciplinary academic and practitioner exchanges on pressing issues of international interest.

The journal aims to be a home and platform for leading thinkers on humanitarian affairs, a place where ideas are floated, controversies are aired and new research is published and scrutinised. Areas in which submissions will be considered include humanitarian financing, migrations and responses, the history of humanitarian aid, failed humanitarian interventions, media representations of humanitarianism, the changing landscape of humanitarianism, the response of states to foreign interventions and critical debates on concepts such as resilience or security.

Representations of Rwanda have been shaped by the display of bodies and bones at Tutsi genocide memorial sites. This phenomenon is most often only studied from the perspective of moral dimensions. This article aims in contrast to cover the issues related to the treatment of human remains in Rwanda for commemorative purposes from a historical perspective. To this end, it is based on the archives of the commissions in charge of genocide memory in Rwanda, as well as interviews with key memorial actors. This study shows the evolution of memorial practices since 1994 and the hypermateriality of bodies in their use as symbols, as well as their demobilisation for the purposes of reconciliation policies.

Human Remains and Violence: An Interdisciplinary Journal

Sedat Pakay, whose name will always be associated with the most intimate portrayals we have of James Baldwin, died on 20 August 2016 at his home in Claverack, NY. Sedat was born in Istanbul, Turkey, where he graduated from Robert College. He studied at the Yale School of Art under Walker Evans, Paul Strand, and Herbert Matter and became a successful photo-journalist and filmmaker. His subjects for photographic portraits included Andy Warhol, Mark Rothko, Josef Albers, Gordon Parks, and, especially, James Baldwin. Pakay’s best-known films are Walker Evans/America (2000) and, as all Baldwin scholars and friends know, James Baldwin: From Another Place, filmed in Istanbul in 1970.

James Baldwin Review
Familiarisation and estrangement in Seamus Heaney’s later poetry

9780719075636_4_009.qxd 17/2/09 2:11 PM Page 160 9 ‘The places I go back to’:1 familiarisation and estrangement in Seamus Heaney’s later poetry Joanna Cowper It is possible to detect within Seamus Heaney’s poetry recurring patterns of alternating ‘familiarisation’ and ‘estrangement’. By poems of familiarisation I mean ones in which he strives towards an accurate portrayal of the places, events or individuals that his poems ‘st[an]d in for’,2 overcoming ‘otherness’ with a diligent scrutiny. Cycles of estrangement invariably follow those of familiarisation

in Irish literature since 1990

4 Spaces and places of governance and resistance Amaal: I came to live in Barking and Dagenham twenty-five years ago and at that time … very few black and Asian and ethnic minority communities … and within a short space of I would say maybe five years or so the borough has changed dramatically and quite a lot of migrants arrived and that created a little bit more

in Go home?