The beginning of aesthetic theory and the end of art
in Aesthetics and subjectivity

This chapter focuses on the significance of aesthetics in Georg Wilhelm Friedrich Hegel's work. Hegel's work on aesthetics has two main aspects. On the one hand, he produced the most influential systematic aesthetics of the nineteenth century; on the other, he announced the 'end of art' as an expression of the 'absolute' in modernity. The problem in Hegel's aesthetic theory is basically that the truth of a work of art emerges most completely via its conceptual articulation, which leads one beyond the art work towards philosophy. Hegel sees music as only part of the prelude to the fully transparent and articulated concept of philosophy. In Phenomenology of Spirit (PG) Hegel claims that language is the 'existence of Geist', which helps suggest why his communitarian interpreters think he is so vital to contemporary debate. The PG is an account of the stages of the process of 'self-recognition in the other'.

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Aesthetics and subjectivity

From Kant to Nietzsche


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