Music, language and literature
in Aesthetics and subjectivity

The divergent interpretations of the relationship between music and language in modernity are inseparable from the main divergences between philosophical conceptions of language. Music provides an ideal illustration of the need for the approach, precisely because, as Paul de Man shows, it helps us to ask vital questions about the nature of language in relation to metaphysics and aesthetics. Music is inextricably linked to the emergence both of aesthetic autonomy and of the modern idea of literature. The idea of Logos, whether in the form of a liturgical text or of the words of a song, is still basic to Georg Wilhelm Friedrich Hegel's conception. A valid conception of Romanticism, for Walter Benjamin, depends on how one approaches the possibilities of the exploration, and the question of 'reflection', the splitting into related aspects that mediate each other, is central to a conception.

Aesthetics and subjectivity

From Kant to Nietzsche


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