Nietzsche and the fate of Romantic thought
in Aesthetics and subjectivity

This chapter considers certain aspects of the anti-Idealism of Arthur Schopenhauer and Karl Marx and then focuses on Friedrich Nietzsche's own texts. Echoing Idealist and Romantic philosophy, Marx sees Greek art as based on mythology, which he characterises, in the manner of the later Schelling, as a collective 'unconsciously artistic processing of nature'. The Romantic conception can incorporate both the new autonomy which makes music into a greater resource. Nietzsche's own contradictory interpretations of what music is themselves become an indication of the possible nature of a post-metaphysical aesthetics. Nietzsche's first major work, The Birth of Tragedy From the Spirit of Music (BT) addresses the relationship between mythology, art and science examined in the introduction to the Grundrisse. The BT offers a way of understanding some of the appeal of certain kinds of music in modernity by linking music to the temporality of myth.

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Aesthetics and subjectivity

From Kant to Nietzsche

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