Conclusion
in Aesthetics and subjectivity

The reductionist assumptions that lead to the idea of folk psychology themselves involve serious methodological problems which are shown up by arguments from the aesthetic tradition. The ideas about the role and nature of self-consciousness from Immanuel Kant to the Romantics suggest that attempts to explicate subjectivity in the terms used to explain objective nature will themselves fall prey to the problems of reflection. Theodor W. Adorno is an apt figure to invoke in the context because, in the wake of Friedrich Nietzsche, he thinks, as does Martin Heidegger, that the ills of modernity are rooted in the attempt by the subject to dominate the world of objects. Richard Rorty characterises the development of modernity in terms of how the 'public', problem solving resources of natural science and 'projects of social cooperation' become separate from 'private' projects of self-development, in which he includes 'romantic art' and, possibly, religion.

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Aesthetics and subjectivity

From Kant to Nietzsche

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