in Women’s writing in contemporary France

This introduction presents an overview of the key concepts discussed in the subsequent chapters of this book. The book concerns with pain, loss or death and throws into relief a darker side to women's writing in the 1990s. The 1990s proved to be an exciting period for women's writing in France. The book shows how Christiane Baroche's use of uncertainty avoids the fixing of identities and self-other relations in a none the less realist mode of writing. It includes essays on writers whose work began to gather interest in the preceding decade but who, in the 1990s, were still in the process of becoming firmly established, like Paule Constant, Sylvie Germain, Marie Redonnet and Leila Sebbar. The book charts the ways in which contemporary women writers are themselves in the process of shaping wider literary debates.

Women’s writing in contemporary France

New writers, new literatures in the 1990s

Editors: Gill Rye and Michael Worton


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