in Women’s writing in contemporary France

This conclusion presents some closing thoughts on the concepts discussed in this book. The book focuses on various aspects of the subject and identity as they are conceived and represented in contemporary women's writing in France. Fears and fantasies are material reality in Marie Darrieussecq's novels of women in crisis, in the literalisation of metaphors pertaining to women's bodies, in the undercurrents of presence and absence, and in the void at the heart of emotional relationships. A recurrent theme in Clotilde Escalle's novels is the difficult relationships her female protagonists have with their mothers, and it is striking how frequently variations on the mother-daughter theme. The modern trend for self-referentiality in literature means that the writing self is also clearly manifested and, indeed, foregrounded in the work of a significant number of the contemporary French women writers.

Women’s writing in contemporary France

New writers, new literatures in the 1990s

Editors: Gill Rye and Michael Worton


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