Beckett and nothing: trying to understand Beckett
in Beckett and nothing

On 21 April 1958 Samuel Beckett writes to Thomas MacGreevy about having written a short stage dialogue to accompany the London production of Endgame. A fragment of a dramatic dialogue, paradoxically entitled Last Soliloquy, has been identified as being the play in question. It is tempting to read Last Soliloquy as such a caricature, as if Beckett were following his own suggestions for the staging of a 'text for nothing', doomed, for reasons different from those of Joseph Chaikin, to be in turn rejected and jettisoned. The all-controlling eye of the invisible author, able to tell the difference between 'what not' and 'not what' in the soliloquy even if nobody else can, is both a comic and a serious staging of one of the main paradoxes of the Beckett canon. The chapter also presents an overview of the key concepts discussed in this book.

Beckett and nothing

Trying to understand Beckett

Editor: Daniela Caselli


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