Simon Parry
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Science in performance
Convergence, emergence and divergence
in Science in performance

This chapter introduces the book’s focus on theatre, performance and science. It sets out the context of the work in twenty-first-century knowledge economies and the politics of science under conditions of globalisation. It shows how science is subject to performance pressure like many areas of contemporary life and explains how this has been manifested in a variety of modes of science communication and public engagement with science. Science-communication practices are often seen as responses to a crisis of trust in scientific knowledge. The chapter introduces the idea that theatre and theatricality can offer both critique and repair to the process of knowledge-making. Theatrical practices of sense-making recognise science’s passions at the same time as they articulate feelings from emergent levels of sensory perception. Theatre does not produce engagement; it is a particular and peculiar mode of engagement. While theatre audiences may form a proxy for a public, a crowd, a group of consumers or a nation, they are not quite any of these collectives. Rather, theatrical events constitute collectives in mobile ways, tracing emergent associations and solidarities articulated through various modes of sensory perception.

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Science in performance

Theatre and the politics of engagement


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