The dynamic processes of knowledge production in archaeology and elsewhere in the humanities and social sciences are increasingly viewed within the context of negotiation, cooperation and exchange, as the collaborative effort of groups, clusters and communities of scholars. Shifting focus from the individual scholar to the wider social contexts of her work, this volume investigates the importance of informal networks and conversation in the creation of knowledge about the past, and takes a closer look at the dynamic interaction and exchange that takes place between individuals, groups and clusters of scholars in the wider social settings of scientific work. Various aspects of and mechanisms at work behind the interaction and exchange that takes place between the individual scholar and her community, and the creative processes that such encounters trigger, are critically examined in eleven chapters which draw on a wide spectrum of examples from Europe and North America: from early modern antiquarians to archaeological societies and practitioners at work during the formative years of the modern archaeological disciplines and more recent examples from the twentieth century. The individual chapters engage with theoretical approaches to scientific creativity, knowledge production and interaction such as sociology and geographies of science, and actor-network theory (ANT) in their examination of individual–collective interplay. The book caters to readers both from within and outside the archaeological disciplines; primarily intended for researchers, teachers and students in archaeology, anthropology, classics and the history of science, it will also be of interest to the general reader.
Figure 6.1 A reconstruction based on archaeologists working at Oakington in 2014. Kayla, Alison, Shanice and Anna are excavating a sixth-century grave. Gravegoods and Anglo-Saxon clothing have been added to this image to resemble the creation of a burial, providing a dynamic experiential reconstruction. Just like the archaeologists working here, the team of people who laid out the burial and the gravegoods would have had to climb into the grave, and would have got on their hands and knees to lay out the body and gravegoods. Like the team here, led by Kayla at the foot of the grave, there may have been hierarchies of people instructing and negotiating the arrangement.
Figure 6.2 A busy excavation scene. This reconstruction is based on an open day at Oakington in 2012. It includes site directors, excavation supervisors, excavators, members of the public and my father with a spear. Each of these people’s experiences and knowledge of the archaeology here was different. Like Figure 6.1, this image conveys the interaction of people engaged in multiple different tasks. In the foreground the body is laid out, some people are interacting with the corpse and negotiating the objects to place within the burial. To the left of the grave, visitors look on, while in the middle a group of people go over the soil preparing to use it to build a mound over the body. Behind them a man kills a pig to prepare a feast, and others watch the whole scene away from the grave, or from the nearby settlement. This image conveys the physicality of the mortuary drama, and illustrates a multitude of ways that people could participate in the funeral events, at different levels and with different degrees of engagement or knowledge.
Figure 6.3 Different types of core graves within plots: the darker the grave, the more gravegoods were identified. Plot A was a focused plot with a central core of furnished burials surrounded by well-furnished darker burials and lighter less well-furnished burials – this example is West Heslerton. Plot B was a dispersed core from Lechlade, and C consisted of a series of barrow burials with satellite graves from Finglesham. These burial forms seem to indicate that there were alternative attitudes towards the dead, with different communities/groups valuing different forms of mortuary expression, even within the same cemetery space.
Figure 6.4 Morning Thorpe, Norfolk: kernel densities illustrated at 2 m. There was a narrow, but nonetheless visible, gap separating each of these plots, illustrated by the dashed lines. Notably, the central two groups, B and C, had particularly high-density concentrations of graves.
Figure 6.5 Morning Thorpe: material culture. Note that each of the burial areas had subtly different assemblages of material culture. Areas A and D were less dense and contained burials with one or two weapons or penannular brooches. Area B had the most numerous weapon burials and was bounded on each side with a line of weapon burials. The light grey graves had few gravegoods, the dark grey were double weapon or brooch pair burials and the black graves were the wealthiest.
Figure 6.6 Morning Thorpe: distribution of pottery stamps (where they were used for more than one pot). Note the contrast between plots B and C, where B had the most variety and C just a single type (after Penn and Brugmann, 2007: 37, Fig. 4.7).
Figure 6.7 Morning Thorpe: barrows in plot C. The light-grey circles illustrate the location of barrows, based on the presence of satellite graves that appear to circle around them. Graves whose date is discussed are also marked.
Figure 6.8 Lechlade, Gloucestershire, was split into two phases: grey are fifth/sixth-century graves and black are the seventh-century graves.