Bibliography
in Making and unmaking in early modern English drama

Bibliography

Manuscripts

‘Probate Will of Sir Anthony Mildmay dated 14 Feb. 1614 Proved 11 Oct. 1617’, MS Westmorland (A), Northamptonshire Record Office

‘Six Comedies Performed at the Earl of Westmoreland’s Seat at Apethorpe, co. Northampton, by the children and servants of the family’, MS ADD 34221, British Library

Primary material

Anon, The Famous Historie of Fryer Bacon. Containing the wonderfull things that he did in his Life. Also the manner of his Death, With the Lives and Deaths of the two Conjurers, Bungye and Vandermast (London: G. Purslowe for F. Grove, 1627)

Anon, Micro-cosmographie, or, a peece of the worlde discovered, in essayes and characters (London: printed by W. S for Edward Blount, 1628)

Anon, Queen Elizabeth’s Entertainment at Mitcham: Poet, Painter, and Musician, ed. Leslie Hotson (New Haven: Yale University Press, 1953)

Anon, Thomas of Woodstock or King Richard II Part One, ed. Peter Corbin and Douglas Sedge, The Revels Plays (Manchester: Manchester University Press, 2002)

Anon, The Two Merry Milkmaids, ed. G. Harold Metz, Renaissance Drama: A Collection of Critical Editions (New York and London: Garland, 1979)

Anon, Two Wise Men and All the Rest Fooles: Or a Comicall Morall censuring the follies of this age, as it hath been diverse times acted (London, 1619)

Anon, The Wisdom of Doctor Dodypoll, ed. M. N. Matson (New York and London: Garland, 1980)

Aristotle, De Anima, in The Basic Works of Aristotle, trans. Richard McKeon (New York: Random House, 1941), pp. 535–606

Augustine, St, Confessions, trans. Henry Chadwick (Oxford: Oxford University Press, 1998)

Bacon, Roger, The Mirror of Alchimy composed by the thrice-famous and learned Fryer, Roger Bachon, sometimes fellow of Martin Colledge: and afterwards of Brasen-nose Colledge in Oxenforde. Also a most excellent and learned discourse of the admirable force and efficacie of art and nature, written by the same Author (London: printed by Thomas Creede, for Richard Olive, 1597)

Bate, John, The Mysteryes of Nature, and Art: Conteined in foure severall Tretises, The first of Water workes the second of Fyer workes, The third of Drawing, Colouring, Painting, and Engrauing, The fourth of divers Experiments, as wel Serviceable as delightful: partly Collected, and partly of the Authors Peculiar Practice, and Invention, by J. B (London: printed by Ralph Mab to be sold by John Jackson and Francis Church, 1634)

Bayly, Lewis, The Practice of Pietie directing a Christian how to walke that he may please God (London: John Hodgets, 1613)

Becon, Thomas, The new pollecye of warre wherein is declared not only how ye mooste cruell tyrant the great Turke may be over come, but also all other enemies of the Christian publique weale, lately devised by Theodore Basille (London: John Maylerre for John Gough, 1542)

Blake, Stephen, The Compleat Gardeners Practice, Directing The Exact Way of Gardening (London: Thomas Pierrepoint, 1664)

Boorde, Andrew, The fyrst boke of the introduction of knowledge (London: William Copland, 1555?)

Bourne, William, Inventions or Devises Very Necessary for All Generalles and Captaines, or Leaders of Men, As Well by Sea as by Land (London: for Thomas Woodstock, 1578)

Brome, Richard, The Court Beggar (1640–42), ed. Marion O’Connor, Richard Brome Online. www.hrionline.ac.uk/brome/. Accessed 14 April 2012

Brome, Richard, Five new playes, viz. The English moor, or the mock-marriage. The love-sick court, or the ambitious politique: Covent Garden weeded. The new academy, or the new exchange. The queen and concubine (London: A. Cook, 1659)

Brome, Richard and Thomas Heywood, The Late Lancashire Witches, ed. Helen Ostovich. Richard Brome Online. www.hrionline.ac.uk/brome. Accessed 30 October 2012

Castiglione, Baldassare, Il Libro del Cortegiano, ed. Ettore Bonora (Milan: Mursia, 1976)

Chapman, George, Monsieur D’Olive, in Allan Holaday (ed.), The Plays of George Chapman: The Comedies, A Critical Edition (Urbana, Chicago and London: University of Illinois Press, 1970)

Chapman, George, Ben Jonson and John Marston, Eastward Ho!, ed. R. W. Van Fossen, The Revels Plays Companion Library (Manchester: Manchester University Press, 1979)

Clifford, Anne, The Diaries of Lady Anne Clifford, ed. D. J. H. Clifford (Stroud: The History Press, 2009)

Cromwell, Oliver, Letters and Speeches, ed. Thomas Carlyle, vol. 2 (New York: Wiley & Putnam, 1845)

Dallington, Robert, The View of Fraunce (London: Symon Stafford, 1604)

Day, John, William Rowley and George Wilkins, The Travels of the Three English Brothers, in Three Renaissance Travel Plays, ed. Anthony Parr, The Revels Plays Companion Library (Manchester: Manchester University Press, 1995)

De Grey, Thomas, The Compleat Horseman and Expert Ferrier (London: printed by Thomas Harper to be sold by Nicholas Vavasour, 1639)

Dekker, Thomas, The Magnificent Entertainment, in Richard Dutton (ed.), Jacobean Civic Pageants, Ryburn Renaissance Texts and Studies (Keele: Ryburn Publishing Keele University Press, 1995)

Dekker, Thomas, The Seven deadly Sinnes of London: Drawne in Seven Severall Coaches, Through the Seven Severall gates of the Citie Bringing the Plague with them (London: printed by E. A for Nathaniel Butter, 1606)

Dekker, Thomas, The Shoemaker’s Holiday, ed. Robert L. Smallwood and Stanley Wells, The Revels Plays (Manchester: Manchester University Press, 1979)

Dekker, Thomas, The Welsh Embassador, in F. Bowers (ed.), The Dramatic Works of Thomas Dekker, vol. IV (Cambridge: Cambridge University Press, 1961)

Doddridge, Sir John, A Compleat Parson: or, A Description of Advowsons or Church-living (London: printed by B. A. and T. F. for John Grove, 1630)

Draxe, Thomas, The Earnest of our Inheritance: Together with a Description of the New Heaven and of the New earth, and a demonstration of the glorious Resurrection of the bodie in the same substance (London: F. K. for George Norton, 1613). EEBO. http://eebo.chadwyck.com. Accessed 23 April 2012

Fane, Mildmay, Candy Restored, in ‘Six Comedies Performed at the Earl of Westmoreland’s Seat at Apethorpe, co. Northampton, by the children and servants of the family’, MS ADD 34221, British Library

Fane, Mildmay, The Change, in ‘Six Comedies Performed at the Earl of Westmoreland’s Seat at Apethorpe, co. Northampton, by the children and servants of the family’, MS ADD 34221, British Library

Fane, Mildmay, The Poetry of Mildmay Fane, Second Earl of Westmoreland, ed. Tom Cain (Manchester: Manchester University Press, 2000)

Fane, Mildmay, Pugna Anima, in ‘Six Comedies Performed at the Earl of Westmoreland’s Seat at Apethorpe, co. Northampton, by the children and servants of the family’, MS ADD 34221, British Library.

Fane, Mildmay, Raguillo D’Oceano, in ‘Six Comedies Performed at the Earl of Westmoreland’s Seat at Apethorpe, co. Northampton, by the children and servants of the family’, MS ADD 34221, British Library

Fane, Rachel ‘Rachel Fane’s May Masque at Apethorpe, 1627’, ed. Marion O’Connor, English Literary Renaissance, 36:1 (2006), 105–13

Florio, John, A Worlde of Wordes, Anglistica & Americana Reprints (Hildesheim: George Olms Verlag, Zürich, 2004)

Ford, John, The Broken Heart, in John Ford: Three Plays, ed. Keith Sturgess (Harmondsworth: Penguin, 1970)

Gardiner, Samuel, Doomes-Day Booke: or, An Alarum for Atheistes, A Watchword for Worldlinges, A Caveat for Christians (London: Nicholas Ling, 1606). EEBO. http://eebo.chadwyck.com. Accessed 23 April 2012

Gascoigne, George, The Droomme of Doomes Day (London: T. East for Gabriell Cawood, 1576), EEBO. http://eebo.chadwyck.com. Accessed 18 January 2009

Godwin, Francis, The Man in the Moone: or A Discourse of a Voyage thither. By Domingo Gonsales. The Speedy Messenger (London: printed by John Norton for John Kirton and Thomas Warren, 1638)

Gosson, Stephen, Playes Confuted in Five Actions, Proving that they are not to be suffered in a Christian common weale, by the way both the Cavils of Thomas Lodge, and the Play of Playes, written in their defence, and other objections of Players frendes, are truely set downe and directlye aunsweared (London: Thomas Gosson, 1582). EEBO. http://eebo.chadwyck.com. Accessed 29 March 2012

Greene, Robert, Friar Bacon and Friar Bungay, ed. Daniel Seltzer, Regents Renaissance Drama Series (London: Edward Arnold, 1963)

Greene, Robert, The Honorable Historie of frier Bacon, and frier Bongay (London: printed for Edward White, 1594). EEBO. http://eebo.chadwyck.com. Accessed 13 December 2012

Greene, Robert, The Honorable Historie of Frier Bacon, and Frier Bongay (London: printed by Elizabeth Allde, 1630). EEBO. http://eebo.chadwyck.com. Accessed 13 December 2012

Greene, Robert, The Tragedy of Selimus, Emperour of the Turkes, in Daniel J. Viktus (ed.), Three Turk Plays from Early Modern England (New York and Chichester: Columbia University Press, 2000)

Grimald, Nicholas, Marcus Tullius Ciceroes Thre Bokes of Duties, to Marcus his sonne, turned out of latine into english, by Nicholas Grimalde (London: Richard Tottel, 1556)

Harrison, William, ‘An Historicall description of the Islande of Britayne, with a briefe rehearsall of the nature and qualities of the people of Englande, and of all such commodities as are to be founde in the same’, in Raphael Holinshead, The firste volume of the Chronicles of England, Scotlande and Irelande (London: John Hunne, 1577). EEBO. http://eebo.chadwyck.com. Accessed 20 April 2012

Hartlib, Samuel, The Compleat Husband-man: Or, A discourse on the whole Art of Husbandry; Both Forraign and Domestick (London: Edward Brewster, 1659)

Haydocke, Richard, A tracte containing the artes of curious paintinge carving and building written first in Italian by Io: Paul Lomatius painter of Milan and Englished by R. H student in physic (Oxford: Joseph Barnes for R. H., 1598)

Henslowe, Philip, ‘Diary’, in R. A. Foakes (ed.), Henslowe’s Diary, 2nd edition (1961; Cambridge: Cambridge University Press, 2002)

Herring, Francis, Certaine Rules, Directions, or Advertisments for this Time of Pestilentiall Contagion: with a caveat to those that weare about their neckes impoisoned amulets as a preseruative from the plague (London: William Jones, 1603). EEBO. http://eebo.chadwyck.com. Accessed 12 December 2011

Herring, Francis, A Modest Defence of the Caveat Given to the Wearers of impoisoned Amulets, as Preservatiues from the Plague (London: printed by Arnold Hatfield for William Jones, 1604). EEBO. http://eebo.chadwyck.com. Accessed 12 December 2011

Hilliard, Nicholas, A Treatise Concerning the Arte of Limning, in R. K. R. Thornton and T. G. S. Cain (eds), A Treatise Concerning The Arte of Limning, by Nicholas Hilliard, together with A More Compendious Discourse Concerning ye Art of Limning by Edward Norgate (Ashington and Manchester: Mid Northumberland Arts Group in association with Carcanet Press, 1981)

Hoby, Thomas, The courtyer of Count Baldessar Castilio divided into foure bookes (London: Wyllyam Seres, 1561)

Holinshed, Raphael, The firste volume of the Chronicles of England, Scotlande and Irelande (London: John Harrison, 1577). EEBO. http://eebo.chadwyck.com. Accessed 20 April 2012

Holyday, Barten, Technogamia: or The Marriage of the Arts (London: printed by William Stansby for John Parker, 1618)

Hughes, Paul L. and James F. Larkin (eds), Tudor Royal Proclamations, 3 vols, 2: The Later Tudors (1553–1587) (New Haven: Yale University Press, 1969)

Jonson, Ben, Bartholomew Fair, ed. Suzanne Gossett, Revels Student Editions (Manchester: Manchester University Press, 2000)

Jonson, Ben, Every Man Out of His Humour, ed. Helen Ostovich, The Revels Plays (Manchester: Manchester University Press, 2001)

Jonson, Ben, An Expostulation with Inigo Jones, in The Complete Poetry of Ben Jonson, ed. William B. Hunter, Jr (New York: New York University Press, 1963)

Jonson, Ben, Sejanus, His Fall, ed. Philip J. Ayres, The Revels Plays Companion Library (Manchester: Manchester University Press, 1990)

Jonson, Ben, The Staple of News, ed. Anthony Parr, The Revels Plays (Manchester: Manchester University Press, 1988)

Junius, Franciscus, The Painting of the Ancients in three Bookes: Declaring by Historicall Observations and Examples, the Beginning, Progresse, and Consummation of that most Noble Art. And how those ancient Artificers attained to their still so much admired Excellencie (London: printed by Richard Hodgkinsonne, to be sold by Daniel Frere, 1638)

Kirkman, Francis, The Wits, or, Sport upon Sport. In Select Pieces of Drollery, Digested into Scenes by way of Dialogue. Together with Variety of Humors of several Nations, fitted for the pleasure and content of all Persons, either in Court, City, Countrey, or Camp. The like never before published (London: Henry Marsh, 1662)

Kyd, Thomas, The Spanish Tragedy, ed. David Bevington, Revels Student Editions (Manchester: Manchester University Press, 1996)

Leech, Clifford, Mildmay Fane’s Raguaillo D’Oceano, 1640, and Candy Restored, 1641, edited from the London and Huntington Manuscripts (Louvain: Librarie Universitaire, 1983)

Leonardo da Vinci, ‘Paragone’, in The Literary Works of Leonardo da Vinci, ed. Jean Paul Richter, 2 vols, 1, 3rd edition (London: Phaidon, 1970)

Lyly, John, Campaspe, ed. G. K. Hunter, in Campaspe: Sappho and Phao, ed. G. K. Hunter and David Bevington, The Revels Plays (Manchester: Manchester University Press, 1991)

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Lyly, John, Euphues and His England, in Euphues: The Anatomy of Wit and Euphues and His England, ed. Leah Scragg, The Revels Plays Companion Library (Manchester: Manchester University Press, 2003)

Lyly, John, The Woman in the Moon, ed. Leah Scragg, The Revels Plays (Manchester: Manchester University Press, 2006)

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Marx, Karl, ‘Theses on Feuerbach’, trans. Tom Nairn, in Karl Marx: Early Writings (London: Penguin, 1975), pp. 421–3

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Milton, John, The Doctrine and Discipline of divorce (London, 1644). EEBO. http://eebo.chadwyck.com. Accessed 6 November 2012

Milton, John, Paradise Lost (London: printed to be sold by Peter Parker, Robert Boulter, and Matthias Walker, 1667). EEBO. http://eebo.chadwyck.com. Accessed 6 November 2012

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Munday, Anthony, [Fedele and Fortunio] The Pleasant and fine conceited Comoedie of two Italian Gentlemen, with the merie devises of Captaine Crack-stone (London: Thomas Hacket, 1585), sigs C3v–D1r. EEBO. http://eebo.chadwyck.com. Accessed 19 December 2012

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Secondary material

Ackerman, Alan, Seeing Things: From Shakespeare to Pixar (Toronto: University of Toronto Press, 2010)

Adelman, Janet, Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare’s Plays (New York and London: Routledge, 1992)

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Airs, Malcolm, The Tudor and Jacobean Country House: A Building History (Stroud: Sutton Publishing, 1995)

Alexander, Jennifer S. and Kathryn A. Morrison, ‘Apethorpe Hall and the Workshop of Thomas Thorpe, Mason of King’s Cliffe: A Study in Mason’s Marks’, Architectural History, 50 (2007), 59–94

Amelang, James S., The Flight of Icarus: Artisan Autobiography in Early Modern Europe (Stanford: Stanford University Press, 1998)

Andersen, Jennifer and Elizabeth Sauer, Books and Readers in Early Modern England: Material Studies (Philadelphia: University of Pennsylvania Press, 2002)

Anderson, Christy, ‘The Secrets of Vision in Renaissance England’, in Lyle Massey (ed.), The Treatise on Perspective: Published and Unpublished, Studies in the History of Art 59, Centre for the Advanced Study in the Visual Arts, Symposium Papers XXXVI (New Haven and London: Yale University Press for the National Gallery of Art, Washington, 2003), pp. 323–47

Apseloff, Stanford S., ‘Shakespeare’s Giulio Romano: The Winter’s Tale, Shakespeare Newsletter, 52 (2002), 87

Archer, John Michael, ‘Citizens and Aliens as Working Subjects in Dekker’s The Shoemaker’s Holiday, in M. M. Dowd and N. Korda (eds), Working Subjects in Early Modern English Drama (Farnham: Ashgate, 2011), pp. 37–52

Arnheim, Rudolph, Visual Thinking (Berkeley: University of California Press, 1969)

Aston, Margaret, ‘Art and Idolatry: Reformed Funeral Monuments?’ in Tara Hamling and Richard L. Williams (eds), Art Re-Formed: Reassessing the Impact of the Reformation on the Visual Arts (Newcastle: Cambridge Scholars Press, 2007), pp. 243–66

Aston, Margaret, England’s Iconoclasts: Laws Against Images (Oxford: Clarendon Press, 1988)

Aston, Margaret, Faith and Fire: Popular and Unpopular Religion, 1350–1600 (London: Hambledon Press, 1993)

Aston, Margaret, ‘Gods, Saints and Reformers: Portraiture and Protestant England’, in Lucy Gent (ed.), Albion’s Classicism: The Visual Arts in Britain, 1550–1660, Studies in British Art, 2 (New Haven: Yale University Press for the Paul Mellon Centre for Studies in British Art and the Yale Center for British Art, 1995), pp. 181–220

Aston, Margaret, ‘Symbols of Conversion: Proprieties of the Page in Reformation England’, in Michael Hunter (ed.), Printed Images in Early Modern Britain: Essays in Interpretation (Farnham: Ashgate, 2010), pp. 23–42

Bagley, Ayers L., ‘Hercules in Emblem Books and Schools’, in Ayers Bagley, Edward M. Griffin and Austin J. McLean (eds), The Telling Image: Explorations in the Emblem (New York: AMS Press, 1996), pp. 69–95

Baker, Naomi, Plain Ugly: The Unattractive Body in Early Modern Culture (Manchester: Manchester University Press, 2010)

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Bartolovich, Crystal, Mythos of Labour: The Shoemaker’s Holiday and the Origin of Citizen History’, in Michelle M. Dowd and Natasha Korda (eds), Working Subjects in Early Modern English Drama, Studies in Performance and Early Modern Drama (Farnham: Ashgate, 2011)

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Belsey, Catherine, Shakespeare and the Loss of Eden: The Construction of Family Values in Early Modern Culture (Basingstoke: Palgrave Macmillan, 2001)

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Besançon, Alain, The Forbidden Image: An Intellectual History of Iconoclasm, trans. Jane Marie Todd (Chicago and London: University of Chicago Press, 2000)

Bicks, Caroline, Midwiving Subjects in Shakespeare’s England: Women and Gender in the Early Modern World (Aldershot: Ashgate, 2003)

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Blum, Abbe ‘“Strike all that look upon with mar[b]el”: Monumentalizing Women in Shakespeare’, in Anne M. Haselkorn and Betty S. Travitsky (eds), The Renaissance Englishwoman in Print: Counterbalancing the Canon (Amherst: University of Massachusetts Press, 1990), pp. 99–118

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Making and unmaking in early modern English drama

Spectators, aesthetics and encompletion

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